Corporeal cinema. Editorial

In a 12-second clip featuring trapeze performer Luis Martinetti, shot for Edison’s Kinetoscope, the film spectator of 1894 was treated to an astonishing spectacle that bore all the hallmarks of what Tom Gunning would later identify as a “cinema of attraction”. Dressed in a tiger print body suit, Mar...

詳細記述

書誌詳細
出版年:Alphaville: Journal of Film and Screen Media
主要な著者: Ian Murphy, Gwenda Young
フォーマット: 論文
言語:英語
出版事項: University College Cork 2014-06-01
主題:
オンライン・アクセス:http://www.alphavillejournal.com/Issue7/HTML/Editorial.html