‘It was the worst of times, it was the worst of times. Again’: Representing the Body Politic after Brexit
Ali Smith’s Autumn (2016) inaugurated what was soon to be termed defined as ‘Brexlit’. Turning to Smith’s text and other post-brexit productions, among which Carol Ann Duffy and Rufus Norris’ My Country: A Work in Progress (2017), and Brexit Shorts: Dramas from a Divided Nation (2017), we examine ho...
| Published in: | Études Britanniques Contemporaines |
|---|---|
| Main Author: | |
| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2019-12-01
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| Subjects: | |
| Online Access: | https://journals.openedition.org/ebc/7401 |