Balkan Transits: Becoming-Other in Theo Angelopoulos’s The Suspended Step of the Stork
In affirming the figure of the refugee, Theo Angelopoulos’s 1991 film The Suspended Step of the Stork radically repositions the latter from its normative casting as another human being worth saving precisely because of sharing a basic likeness to oneself, to a fundamental an-other who is also a prop...
| Published in: | Film-Philosophy |
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| Main Author: | |
| Format: | Article |
| Language: | English |
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Edinburgh University Press
2025-10-01
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| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2025.0323 |