Un contrepoint contesté : appropriation « juive » et libération polyphonique
In the early twentieth century, modern polyphony became a symbol for the problems of new music, threatening both tradition and comprehensibility. This article examines the ideology behind listening to counterpoint, with a focus on reception sources from the concert season 1906-07-in particular, how...
| 發表在: | Transposition |
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| 主要作者: | |
| 格式: | Article |
| 語言: | 英语 |
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Éditions de l'EHESS
2012-05-01
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| 在線閱讀: | https://journals.openedition.org/transposition/321 |