Alessandro Blasetti’s Producer’s and Critic’s Game. Repositioning from the Fascist Regime to the Post-war Period

Alessandro Blasetti’s career reaches a turning point in 1942: at the end of the year Quattro passi fra le nuvole is released. The film is retrospectively considered a forerunner of Neorealism. Since then, Blasetti focuses on realistic dramas in humble settings e.g., Nessuno torna indietro (1944), up...

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Bibliographic Details
Published in:Cinergie
Main Author: Francesca Tesi
Format: Article
Language:English
Published: University of Bologna 2023-07-01
Subjects:
Online Access:https://cinergie.unibo.it/article/view/16407