Better Than the Real Thing: Processed Reality in Victorian Art and Fiction
This paper investigates the paradoxical and composite nature of realist photography and fiction. In the 1850s, strategies of aggregation were part of the regular compositional practice of Victorian painters, from the Pre-Raphaelite William Holman Hunt to William Powell Frith. The artistic re-composi...
| الحاوية / القاعدة: | Cahiers Victoriens et Edouardiens |
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| المؤلف الرئيسي: | |
| التنسيق: | مقال |
| اللغة: | الإنجليزية |
| منشور في: |
Presses Universitaires de la Méditerranée
2019-06-01
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| الموضوعات: | |
| الوصول للمادة أونلاين: | https://journals.openedition.org/cve/5102 |