La fortuna dell’iconografia di Pulcinella all’inizio degli anni Venti del Novecento : Pablo Picasso e Gino Severini

In the second half of the nineteenth and early twentieth centuries, when the Commedia dell’Arte had exhausted its cycle from a theatrical point of view, masks such as Pulcinella, Arlecchino and Pierrot, together with street performers, clowns and acrobats, began to lose their specificity for the wid...

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Bibliographic Details

Published in:	Babel: Littératures Plurielles
Main Author:	Susanna Arangio
Format:	Article
Language:	English
Published:	Université du Sud Toulon-Var 2017-06-01
Subjects:	masks entertainer Pulcinella versatility Picasso (Pablo) Severini (Gino)
Online Access:	http://journals.openedition.org/babel/4858