Le fragment comme choix esthétique chez Thomas Brasch

In order to avoid interpreting Thomas Brasch‘s work solely from a biographical point of view, as is too often the case, an aesthetic and formal approach will be attempted here, based on the prose collection Vor den Vätern sterben die Söhne (1977), which focuses on the fragmentary character of the wo...

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Bibliographic Details
Published in:Cahiers d’Études Germaniques
Main Author: Anne LEMONNIER‑LEMIEUX
Format: Article
Language:German
Published: Presses Universitaires de Provence 2024-11-01
Subjects:
Online Access:https://journals.openedition.org/ceg/21130