Transcendence through Illumination: Marginalized Identity Re-valued as Art and Literature

provide a critical analysis of the female identity of E. Luminata, written by Chilean writer, Diamela Eltit. This essay will examine how E. Luminata fits into the world of autobiographical feminism, with ties to multiculturalism, and world literature. Her series of artistic scenes in the town squar...

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Main Author: Karly Berezowsky
Format: Article
Language:English
Published: Ratnabali Publisher 2017-06-01
Series:Sanglap: Journal of Literary and Cultural Inquiry
Subjects:
Online Access:http://sanglap-journal.in/index.php/sanglap/article/view/161/218
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spelling doaj-0121bfdb653040ff80ffe04d3b01e1062020-11-24T23:54:11ZengRatnabali PublisherSanglap: Journal of Literary and Cultural Inquiry2349-80642349-80642017-06-01418092Transcendence through Illumination: Marginalized Identity Re-valued as Art and LiteratureKarly Berezowsky0The College of New Jersey provide a critical analysis of the female identity of E. Luminata, written by Chilean writer, Diamela Eltit. This essay will examine how E. Luminata fits into the world of autobiographical feminism, with ties to multiculturalism, and world literature. Her series of artistic scenes in the town square allow her to challenge standardized notions of beauty’s ephemerality and permanence. Within the text, E. Luminata uses her art to protest Pinochet’s military government during the 1980’s. E. Luminata actively uses art, aesthetics, and her sexualized identity to create an argument against the “grotesque” nature of the military regime. As such, her artistic protests, read within a piece of translated literature, help readers to define the nature of the aesthetic experience of womanhood and contemplate personal agency, desire, and cultural possessiveness. Her identity is manifested through the contradictory binary of the natural and the artificial, since she presents herself as a spectacle, for others to perceive. By doing so, she deconstructs her own objectification within the novel.http://sanglap-journal.in/index.php/sanglap/article/view/161/218Autobiography; Feminism; Identity; Diamela Eltit.
collection DOAJ
language English
format Article
sources DOAJ
author Karly Berezowsky
spellingShingle Karly Berezowsky
Transcendence through Illumination: Marginalized Identity Re-valued as Art and Literature
Sanglap: Journal of Literary and Cultural Inquiry
Autobiography; Feminism; Identity; Diamela Eltit.
author_facet Karly Berezowsky
author_sort Karly Berezowsky
title Transcendence through Illumination: Marginalized Identity Re-valued as Art and Literature
title_short Transcendence through Illumination: Marginalized Identity Re-valued as Art and Literature
title_full Transcendence through Illumination: Marginalized Identity Re-valued as Art and Literature
title_fullStr Transcendence through Illumination: Marginalized Identity Re-valued as Art and Literature
title_full_unstemmed Transcendence through Illumination: Marginalized Identity Re-valued as Art and Literature
title_sort transcendence through illumination: marginalized identity re-valued as art and literature
publisher Ratnabali Publisher
series Sanglap: Journal of Literary and Cultural Inquiry
issn 2349-8064
2349-8064
publishDate 2017-06-01
description provide a critical analysis of the female identity of E. Luminata, written by Chilean writer, Diamela Eltit. This essay will examine how E. Luminata fits into the world of autobiographical feminism, with ties to multiculturalism, and world literature. Her series of artistic scenes in the town square allow her to challenge standardized notions of beauty’s ephemerality and permanence. Within the text, E. Luminata uses her art to protest Pinochet’s military government during the 1980’s. E. Luminata actively uses art, aesthetics, and her sexualized identity to create an argument against the “grotesque” nature of the military regime. As such, her artistic protests, read within a piece of translated literature, help readers to define the nature of the aesthetic experience of womanhood and contemplate personal agency, desire, and cultural possessiveness. Her identity is manifested through the contradictory binary of the natural and the artificial, since she presents herself as a spectacle, for others to perceive. By doing so, she deconstructs her own objectification within the novel.
topic Autobiography; Feminism; Identity; Diamela Eltit.
url http://sanglap-journal.in/index.php/sanglap/article/view/161/218
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