“Our Self-Undoing”: Christina Rossetti’s Literary and Somatic Expressions of Graves’ Disease

Victorian poet Christina Rossetti (1830–1894) was frequently troubled by poor health, and her mid-life episode of life-threatening illness (1870–1872) when she suffered from Graves’ disease provides an illuminating case study of the ways that illness can be reflected in...

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Main Authors: Mary Arseneau, Emery Terrell
Format: Article
Language:English
Published: MDPI AG 2019-03-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/8/1/57
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spelling doaj-0187c5c414f44922817623a950d1f75f2020-11-25T02:16:03ZengMDPI AGHumanities2076-07872019-03-01815710.3390/h8010057h8010057“Our Self-Undoing”: Christina Rossetti’s Literary and Somatic Expressions of Graves’ DiseaseMary Arseneau0Emery Terrell1Department of English, Hamelin Hall, University of Ottawa, Ottawa, ON K1N 6N5, CanadaFaculty of Medicine, Roger Guindon Hall, University of Ottawa, Ottawa, ON K1H 8M5, CanadaVictorian poet Christina Rossetti (1830–1894) was frequently troubled by poor health, and her mid-life episode of life-threatening illness (1870–1872) when she suffered from Graves’ disease provides an illuminating case study of the ways that illness can be reflected in poetry and prose. Rossetti, her family, and her doctors understood Graves’ disease as a heart condition; however, Rossetti’s writing reflects a different paradigm, presenting themes of self-attack and a divided self that uncannily parallel the modern understanding of Graves’ disease as autoimmune in nature. Interestingly, these creative representations reflect an understanding of this disease process that Rossetti family documents and the history of Victorian medicine demonstrate Rossetti could not have been aware of. When the crisis had passed, Rossetti’s writing began to include new rhetoric and imagery of self-acceptance and of suffering as a means of spiritual improvement. This essay explores the parallels between literary and somatic metaphors: Rossetti’s body and art are often simultaneously “saying„ the same thing, the physical symptoms expressing somatically the same dynamic that is expressed in metaphor and narrative in Rossetti’s creative writing. Such a well-documented case history raises questions about how writing may be shaped by paradigms of illness that are not accessible to the conscious mind.https://www.mdpi.com/2076-0787/8/1/57Christina Rossettipoetryliterature and medicinehistory of medicine19th centuryautoimmune diseaseGraves’ diseaseheartillness narrativemedical humanities
collection DOAJ
language English
format Article
sources DOAJ
author Mary Arseneau
Emery Terrell
spellingShingle Mary Arseneau
Emery Terrell
“Our Self-Undoing”: Christina Rossetti’s Literary and Somatic Expressions of Graves’ Disease
Humanities
Christina Rossetti
poetry
literature and medicine
history of medicine
19th century
autoimmune disease
Graves’ disease
heart
illness narrative
medical humanities
author_facet Mary Arseneau
Emery Terrell
author_sort Mary Arseneau
title “Our Self-Undoing”: Christina Rossetti’s Literary and Somatic Expressions of Graves’ Disease
title_short “Our Self-Undoing”: Christina Rossetti’s Literary and Somatic Expressions of Graves’ Disease
title_full “Our Self-Undoing”: Christina Rossetti’s Literary and Somatic Expressions of Graves’ Disease
title_fullStr “Our Self-Undoing”: Christina Rossetti’s Literary and Somatic Expressions of Graves’ Disease
title_full_unstemmed “Our Self-Undoing”: Christina Rossetti’s Literary and Somatic Expressions of Graves’ Disease
title_sort “our self-undoing”: christina rossetti’s literary and somatic expressions of graves’ disease
publisher MDPI AG
series Humanities
issn 2076-0787
publishDate 2019-03-01
description Victorian poet Christina Rossetti (1830–1894) was frequently troubled by poor health, and her mid-life episode of life-threatening illness (1870–1872) when she suffered from Graves’ disease provides an illuminating case study of the ways that illness can be reflected in poetry and prose. Rossetti, her family, and her doctors understood Graves’ disease as a heart condition; however, Rossetti’s writing reflects a different paradigm, presenting themes of self-attack and a divided self that uncannily parallel the modern understanding of Graves’ disease as autoimmune in nature. Interestingly, these creative representations reflect an understanding of this disease process that Rossetti family documents and the history of Victorian medicine demonstrate Rossetti could not have been aware of. When the crisis had passed, Rossetti’s writing began to include new rhetoric and imagery of self-acceptance and of suffering as a means of spiritual improvement. This essay explores the parallels between literary and somatic metaphors: Rossetti’s body and art are often simultaneously “saying„ the same thing, the physical symptoms expressing somatically the same dynamic that is expressed in metaphor and narrative in Rossetti’s creative writing. Such a well-documented case history raises questions about how writing may be shaped by paradigms of illness that are not accessible to the conscious mind.
topic Christina Rossetti
poetry
literature and medicine
history of medicine
19th century
autoimmune disease
Graves’ disease
heart
illness narrative
medical humanities
url https://www.mdpi.com/2076-0787/8/1/57
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