Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions

Map and newsprint publishers Claes Jansz. Visscher and Herman Allertsz. developed a new kind of wall print in the first decade of the seventeenth century that depicted contemporary political executions and which served as ‘eternal memory mirror[s]’. These prints evince the high value contemporaries...

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Main Author: Maureen Warren
Format: Article
Language:English
Published: Open Journals 2021-06-01
Series:Early Modern Low Countries
Subjects:
Online Access:https://emlc-journal.org/article/view/10009
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spelling doaj-0204a944edc5424e990402495378c8df2021-06-22T09:34:18ZengOpen JournalsEarly Modern Low Countries2543-15872021-06-0151Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political ExecutionsMaureen Warren0Krannert Art Museum, University of Illinois Urbana Champaign Map and newsprint publishers Claes Jansz. Visscher and Herman Allertsz. developed a new kind of wall print in the first decade of the seventeenth century that depicted contemporary political executions and which served as ‘eternal memory mirror[s]’. These prints evince the high value contemporaries placed on proportionate justice: the desire for visual affirmation that the punishment fit the crime. Visscher was keen to put a good face on things, downplaying disorganization, unflattering or unfortunate aspects of executions, and he emphasized events that suggested divine approval. The success of his early execution prints had a profound impact on the format and variety of Visscher’s later military newsprints. The large scale, sophisticated organization of text and image, and superior aesthetic qualities – all strategies borrowed from monumental wall maps – enhanced the commercial and polemical potential of his execution imagery. The article first considers Visscher’s early professional relationships and training in cartographic circles. Then, it analyses his multi-plate compositions and the relationship between image and text in his execution prints from 1619 and 1623, which were related to the Truce Conflicts and fights between Remonstrants and Counter-Remonstrants. Finally, the article considers the implications of viewing execution imagery on the wall. https://emlc-journal.org/article/view/10009printmakingnewsprintscartographycapital punishmentpoliticsProtestant propaganda
collection DOAJ
language English
format Article
sources DOAJ
author Maureen Warren
spellingShingle Maureen Warren
Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions
Early Modern Low Countries
printmaking
newsprints
cartography
capital punishment
politics
Protestant propaganda
author_facet Maureen Warren
author_sort Maureen Warren
title Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions
title_short Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions
title_full Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions
title_fullStr Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions
title_full_unstemmed Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions
title_sort eternal memory mirrors’: seventeenth-century dutch newsprints of political executions
publisher Open Journals
series Early Modern Low Countries
issn 2543-1587
publishDate 2021-06-01
description Map and newsprint publishers Claes Jansz. Visscher and Herman Allertsz. developed a new kind of wall print in the first decade of the seventeenth century that depicted contemporary political executions and which served as ‘eternal memory mirror[s]’. These prints evince the high value contemporaries placed on proportionate justice: the desire for visual affirmation that the punishment fit the crime. Visscher was keen to put a good face on things, downplaying disorganization, unflattering or unfortunate aspects of executions, and he emphasized events that suggested divine approval. The success of his early execution prints had a profound impact on the format and variety of Visscher’s later military newsprints. The large scale, sophisticated organization of text and image, and superior aesthetic qualities – all strategies borrowed from monumental wall maps – enhanced the commercial and polemical potential of his execution imagery. The article first considers Visscher’s early professional relationships and training in cartographic circles. Then, it analyses his multi-plate compositions and the relationship between image and text in his execution prints from 1619 and 1623, which were related to the Truce Conflicts and fights between Remonstrants and Counter-Remonstrants. Finally, the article considers the implications of viewing execution imagery on the wall.
topic printmaking
newsprints
cartography
capital punishment
politics
Protestant propaganda
url https://emlc-journal.org/article/view/10009
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