Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions
Map and newsprint publishers Claes Jansz. Visscher and Herman Allertsz. developed a new kind of wall print in the first decade of the seventeenth century that depicted contemporary political executions and which served as ‘eternal memory mirror[s]’. These prints evince the high value contemporaries...
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doaj-0204a944edc5424e990402495378c8df2021-06-22T09:34:18ZengOpen JournalsEarly Modern Low Countries2543-15872021-06-0151Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political ExecutionsMaureen Warren0Krannert Art Museum, University of Illinois Urbana Champaign Map and newsprint publishers Claes Jansz. Visscher and Herman Allertsz. developed a new kind of wall print in the first decade of the seventeenth century that depicted contemporary political executions and which served as ‘eternal memory mirror[s]’. These prints evince the high value contemporaries placed on proportionate justice: the desire for visual affirmation that the punishment fit the crime. Visscher was keen to put a good face on things, downplaying disorganization, unflattering or unfortunate aspects of executions, and he emphasized events that suggested divine approval. The success of his early execution prints had a profound impact on the format and variety of Visscher’s later military newsprints. The large scale, sophisticated organization of text and image, and superior aesthetic qualities – all strategies borrowed from monumental wall maps – enhanced the commercial and polemical potential of his execution imagery. The article first considers Visscher’s early professional relationships and training in cartographic circles. Then, it analyses his multi-plate compositions and the relationship between image and text in his execution prints from 1619 and 1623, which were related to the Truce Conflicts and fights between Remonstrants and Counter-Remonstrants. Finally, the article considers the implications of viewing execution imagery on the wall. https://emlc-journal.org/article/view/10009printmakingnewsprintscartographycapital punishmentpoliticsProtestant propaganda |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Maureen Warren |
spellingShingle |
Maureen Warren Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions Early Modern Low Countries printmaking newsprints cartography capital punishment politics Protestant propaganda |
author_facet |
Maureen Warren |
author_sort |
Maureen Warren |
title |
Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions |
title_short |
Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions |
title_full |
Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions |
title_fullStr |
Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions |
title_full_unstemmed |
Eternal Memory Mirrors’: Seventeenth-century Dutch Newsprints of Political Executions |
title_sort |
eternal memory mirrors’: seventeenth-century dutch newsprints of political executions |
publisher |
Open Journals |
series |
Early Modern Low Countries |
issn |
2543-1587 |
publishDate |
2021-06-01 |
description |
Map and newsprint publishers Claes Jansz. Visscher and Herman Allertsz. developed a new kind of wall print in the first decade of the seventeenth century that depicted contemporary political executions and which served as ‘eternal memory mirror[s]’. These prints evince the high value contemporaries placed on proportionate justice: the desire for visual affirmation that the punishment fit the crime. Visscher was keen to put a good face on things, downplaying disorganization, unflattering or unfortunate aspects of executions, and he emphasized events that suggested divine approval. The success of his early execution prints had a profound impact on the format and variety of Visscher’s later military newsprints. The large scale, sophisticated organization of text and image, and superior aesthetic qualities – all strategies borrowed from monumental wall maps – enhanced the commercial and polemical potential of his execution imagery. The article first considers Visscher’s early professional relationships and training in cartographic circles. Then, it analyses his multi-plate compositions and the relationship between image and text in his execution prints from 1619 and 1623, which were related to the Truce Conflicts and fights between Remonstrants and Counter-Remonstrants. Finally, the article considers the implications of viewing execution imagery on the wall.
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topic |
printmaking newsprints cartography capital punishment politics Protestant propaganda |
url |
https://emlc-journal.org/article/view/10009 |
work_keys_str_mv |
AT maureenwarren eternalmemorymirrorsseventeenthcenturydutchnewsprintsofpoliticalexecutions |
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