| Summary: | This essay ventures a post-election reflection on the significance of Clintonʼs defeat by addressing its emblematic representation as Medusaʼs decapitation by the triumphant Perseus. It is not a coincidence, we argue, that Clinton triggered in public imagination the odious image of Medusa, the epitome of female monstrosity of all [patriarchal] times, while Trumpʼs imagery of his rival articulated the ancient angst of man: the fear of woman as a mirror of manʼs own monstrosity, the inability to tolerate ambiguity embedded in woman, the envy of incapacity to create life ("uterus envy"). Thus, Trumpʼs experience of Clinton as Medusa echoes manʼs experience of powerful/ creative woman as a monstrously threatening reminder of his own narcissistic discontents. It also unravels manʼs need to demonize Medusa by victimization and then re-victimize her by demonization. Just as Medusa herself, an innocent beautiful maiden from Ovidʼs story, converts into a petrifying mirror of manʼs own monstrosity, so does the representation of Clinton and Clintonʼs defeat becomes a mirror through which an invisible lens of misogyny manifests itself.
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