COMIC AGENTS: FROM A POETIC TO AN ANTHROPOLOGICAL PARADIGM OF COMEDY (ARISTOTLE AND ALFRED GELL)

Aristotle was concerned with the comedy genre as a kind of poetry. Its creators, the comic poets, interested him only marginally. This genological approach to its subject-matter dominated the theory and philosophy of art for subsequent centuries as evidenced by the subsequent elaborations of interp...

Full description

Bibliographic Details
Main Author: ANNA KAWALEC
Format: Article
Language:deu
Published: Alexandru Ioan Cuza University Press 2016-05-01
Series:Agathos: An International Review of the Humanities and Social Sciences
Subjects:
Online Access:http://www.agathos-international-review.com/issue7_1/03.Anna%20Kawalec.pdf
id doaj-02ae9dd4ae6849bab468060958b62c68
record_format Article
spelling doaj-02ae9dd4ae6849bab468060958b62c682020-11-24T23:45:08ZdeuAlexandru Ioan Cuza University Press Agathos: An International Review of the Humanities and Social Sciences2069-10252248-34462016-05-01VII1723COMIC AGENTS: FROM A POETIC TO AN ANTHROPOLOGICAL PARADIGM OF COMEDY (ARISTOTLE AND ALFRED GELL)ANNA KAWALEC0 John Paul II Catholic University of Lublin, Poland Aristotle was concerned with the comedy genre as a kind of poetry. Its creators, the comic poets, interested him only marginally. This genological approach to its subject-matter dominated the theory and philosophy of art for subsequent centuries as evidenced by the subsequent elaborations of interpretations of Aristotle’s catharsis. The alternative approach focused instead on subjects as creators of art. As a consequence of the long-term development of anthropocentrism in the humanities, however, this approach took over. The “ performative turn” represents its more recent version. It allows one to interpret Poetics and other classical works not in the context of an object (comedy), but in the context of the acting subject. I claim that social anthropology further explores the concept of comedy and itself presumes it in its conceptual foundations and research approach. I elaborate the argument on the basis of the concept of the “spirit of comedy” coined by Alfred Gell .http://www.agathos-international-review.com/issue7_1/03.Anna%20Kawalec.pdfcomedyinterpretation of catharsissocial anthropologyAristotleAlfred Gell
collection DOAJ
language deu
format Article
sources DOAJ
author ANNA KAWALEC
spellingShingle ANNA KAWALEC
COMIC AGENTS: FROM A POETIC TO AN ANTHROPOLOGICAL PARADIGM OF COMEDY (ARISTOTLE AND ALFRED GELL)
Agathos: An International Review of the Humanities and Social Sciences
comedy
interpretation of catharsis
social anthropology
Aristotle
Alfred Gell
author_facet ANNA KAWALEC
author_sort ANNA KAWALEC
title COMIC AGENTS: FROM A POETIC TO AN ANTHROPOLOGICAL PARADIGM OF COMEDY (ARISTOTLE AND ALFRED GELL)
title_short COMIC AGENTS: FROM A POETIC TO AN ANTHROPOLOGICAL PARADIGM OF COMEDY (ARISTOTLE AND ALFRED GELL)
title_full COMIC AGENTS: FROM A POETIC TO AN ANTHROPOLOGICAL PARADIGM OF COMEDY (ARISTOTLE AND ALFRED GELL)
title_fullStr COMIC AGENTS: FROM A POETIC TO AN ANTHROPOLOGICAL PARADIGM OF COMEDY (ARISTOTLE AND ALFRED GELL)
title_full_unstemmed COMIC AGENTS: FROM A POETIC TO AN ANTHROPOLOGICAL PARADIGM OF COMEDY (ARISTOTLE AND ALFRED GELL)
title_sort comic agents: from a poetic to an anthropological paradigm of comedy (aristotle and alfred gell)
publisher Alexandru Ioan Cuza University Press
series Agathos: An International Review of the Humanities and Social Sciences
issn 2069-1025
2248-3446
publishDate 2016-05-01
description Aristotle was concerned with the comedy genre as a kind of poetry. Its creators, the comic poets, interested him only marginally. This genological approach to its subject-matter dominated the theory and philosophy of art for subsequent centuries as evidenced by the subsequent elaborations of interpretations of Aristotle’s catharsis. The alternative approach focused instead on subjects as creators of art. As a consequence of the long-term development of anthropocentrism in the humanities, however, this approach took over. The “ performative turn” represents its more recent version. It allows one to interpret Poetics and other classical works not in the context of an object (comedy), but in the context of the acting subject. I claim that social anthropology further explores the concept of comedy and itself presumes it in its conceptual foundations and research approach. I elaborate the argument on the basis of the concept of the “spirit of comedy” coined by Alfred Gell .
topic comedy
interpretation of catharsis
social anthropology
Aristotle
Alfred Gell
url http://www.agathos-international-review.com/issue7_1/03.Anna%20Kawalec.pdf
work_keys_str_mv AT annakawalec comicagentsfromapoetictoananthropologicalparadigmofcomedyaristotleandalfredgell
_version_ 1725497102245560320