“This is not science. This is storytelling:” The Poetics of Science in Arcadia

After using catastrophe theory and quantum mechanics in his earlier texts Professional Foul and Hapgood, Stoppard borrows some of Arcadia’s key concepts from thermodynamics and chaos theory. This article explores the strong epistemological continuity of Stoppard’s references to science, which provid...

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Main Author: Liliane Campos
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2011-12-01
Series:Sillages Critiques
Subjects:
Online Access:http://journals.openedition.org/sillagescritiques/2461
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spelling doaj-05a4409111fb4b04ba61ab098b90f1272020-11-24T21:47:05ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022011-12-0113“This is not science. This is storytelling:” The Poetics of Science in ArcadiaLiliane CamposAfter using catastrophe theory and quantum mechanics in his earlier texts Professional Foul and Hapgood, Stoppard borrows some of Arcadia’s key concepts from thermodynamics and chaos theory. This article explores the strong epistemological continuity of Stoppard’s references to science, which provide him with metaphors for the systematic instability of knowledge asserted by his plays. The analysis focuses on the poetic use of entropy, unpredictable determinism and iteration in Arcadia, and their structuring role as metaphors of emplotment. Within the dialogue, the evocation of these concepts follows an ekphrastic pattern, strengthening the play’s reflection on the relation between art, time and mimesis.http://journals.openedition.org/sillagescritiques/2461StoppardArcadiasciencemetaphorsmodelsemplotment
collection DOAJ
language English
format Article
sources DOAJ
author Liliane Campos
spellingShingle Liliane Campos
“This is not science. This is storytelling:” The Poetics of Science in Arcadia
Sillages Critiques
Stoppard
Arcadia
science
metaphors
models
emplotment
author_facet Liliane Campos
author_sort Liliane Campos
title “This is not science. This is storytelling:” The Poetics of Science in Arcadia
title_short “This is not science. This is storytelling:” The Poetics of Science in Arcadia
title_full “This is not science. This is storytelling:” The Poetics of Science in Arcadia
title_fullStr “This is not science. This is storytelling:” The Poetics of Science in Arcadia
title_full_unstemmed “This is not science. This is storytelling:” The Poetics of Science in Arcadia
title_sort “this is not science. this is storytelling:” the poetics of science in arcadia
publisher Centre de Recherche "Texte et Critique de Texte"
series Sillages Critiques
issn 1272-3819
1969-6302
publishDate 2011-12-01
description After using catastrophe theory and quantum mechanics in his earlier texts Professional Foul and Hapgood, Stoppard borrows some of Arcadia’s key concepts from thermodynamics and chaos theory. This article explores the strong epistemological continuity of Stoppard’s references to science, which provide him with metaphors for the systematic instability of knowledge asserted by his plays. The analysis focuses on the poetic use of entropy, unpredictable determinism and iteration in Arcadia, and their structuring role as metaphors of emplotment. Within the dialogue, the evocation of these concepts follows an ekphrastic pattern, strengthening the play’s reflection on the relation between art, time and mimesis.
topic Stoppard
Arcadia
science
metaphors
models
emplotment
url http://journals.openedition.org/sillagescritiques/2461
work_keys_str_mv AT lilianecampos thisisnotsciencethisisstorytellingthepoeticsofscienceinarcadia
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