THE AUTOBIOGRAPHICAL NOVEL IN MEU PÉ DE LARANJA LIMA

This paper focuses on the analysis of the literary work Meu p de laranja lima, in which the author Jos Mauro de Vasconcelos relates his own childhood through a child character. In the plot, however, there is the authors alleviation and seeking for the recognition of readers, which according to autob...

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Main Authors: Katrym Aline Bordinhão dos Santos, Dábila Vitor Ferreira
Format: Article
Language:Portuguese
Published: Universidade Estadual do Oeste do Paraná 2016-01-01
Series:Travessias
Subjects:
Online Access:http://e-revista.unioeste.br/index.php/travessias/article/view/11923
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spelling doaj-068298e51cf341bcb1522186855092b32020-11-25T02:35:48ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352016-01-01928817THE AUTOBIOGRAPHICAL NOVEL IN MEU PÉ DE LARANJA LIMAKatrym Aline Bordinhão dos SantosDábila Vitor FerreiraThis paper focuses on the analysis of the literary work Meu p de laranja lima, in which the author Jos Mauro de Vasconcelos relates his own childhood through a child character. In the plot, however, there is the authors alleviation and seeking for the recognition of readers, which according to autobiography theorist Philippe Lejeune (2008) configures the autobiographical pact that is given by the relationship between author, narrator and character. The confessional literature holds confessions and secrets of the authors; Maria Luza Remdios (1997) explains that the public is interested in confessional literature because we have the tendency to identify ourselves with what is close to our reality, thereby establishing a pact with the reading public. During the work, the author may assume identities or self-sense, and in Jos Mauros case it is supposed he saw writing as an option for alleviation, by recalling his childhood and freeing himself from the past. Therefore, we confirm that this literary work is an autobiographical writing, and understand what the autobiographer looks for in writing about himself, and that this newest genre of writing is widely accepted by the public.http://e-revista.unioeste.br/index.php/travessias/article/view/11923pacto autobiográficoliteratura confessionalidentidade.
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Katrym Aline Bordinhão dos Santos
Dábila Vitor Ferreira
spellingShingle Katrym Aline Bordinhão dos Santos
Dábila Vitor Ferreira
THE AUTOBIOGRAPHICAL NOVEL IN MEU PÉ DE LARANJA LIMA
Travessias
pacto autobiográfico
literatura confessional
identidade.
author_facet Katrym Aline Bordinhão dos Santos
Dábila Vitor Ferreira
author_sort Katrym Aline Bordinhão dos Santos
title THE AUTOBIOGRAPHICAL NOVEL IN MEU PÉ DE LARANJA LIMA
title_short THE AUTOBIOGRAPHICAL NOVEL IN MEU PÉ DE LARANJA LIMA
title_full THE AUTOBIOGRAPHICAL NOVEL IN MEU PÉ DE LARANJA LIMA
title_fullStr THE AUTOBIOGRAPHICAL NOVEL IN MEU PÉ DE LARANJA LIMA
title_full_unstemmed THE AUTOBIOGRAPHICAL NOVEL IN MEU PÉ DE LARANJA LIMA
title_sort autobiographical novel in meu pé de laranja lima
publisher Universidade Estadual do Oeste do Paraná
series Travessias
issn 1982-5935
publishDate 2016-01-01
description This paper focuses on the analysis of the literary work Meu p de laranja lima, in which the author Jos Mauro de Vasconcelos relates his own childhood through a child character. In the plot, however, there is the authors alleviation and seeking for the recognition of readers, which according to autobiography theorist Philippe Lejeune (2008) configures the autobiographical pact that is given by the relationship between author, narrator and character. The confessional literature holds confessions and secrets of the authors; Maria Luza Remdios (1997) explains that the public is interested in confessional literature because we have the tendency to identify ourselves with what is close to our reality, thereby establishing a pact with the reading public. During the work, the author may assume identities or self-sense, and in Jos Mauros case it is supposed he saw writing as an option for alleviation, by recalling his childhood and freeing himself from the past. Therefore, we confirm that this literary work is an autobiographical writing, and understand what the autobiographer looks for in writing about himself, and that this newest genre of writing is widely accepted by the public.
topic pacto autobiográfico
literatura confessional
identidade.
url http://e-revista.unioeste.br/index.php/travessias/article/view/11923
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