Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón

This article seeks to analyze a series of casta paintings attributed to José Joaquín Magón. Furthermore, the characteristic of including a literary legend that makes value judgments about the moral and social conditions of the “products” will enable the establishment of peculiarities. This study tra...

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Main Authors: Abel Fernando Martínez Martín, Luis Augusto Mora Bautista
Format: Article
Language:Spanish
Published: Universidad Pedagógica y Tecnológica de Colombia 2014-01-01
Series:Historia y Memoria
Subjects:
Online Access:http://revistas.uptc.edu.co/revistas/index.php/historia_memoria/article/view/2624
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spelling doaj-076536f5848045ce9d89f4aeac350dd72020-11-25T02:32:51ZspaUniversidad Pedagógica y Tecnológica de ColombiaHistoria y Memoria2027-51372322-777X2014-01-010824529510.19053/20275137.26242388Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín MagónAbel Fernando Martínez Martín0Luis Augusto Mora Bautista1Universidad Pedagógica y Tecnológica de ColombiaUniversidad Pedagógica y Tecnológica de ColombiaThis article seeks to analyze a series of casta paintings attributed to José Joaquín Magón. Furthermore, the characteristic of including a literary legend that makes value judgments about the moral and social conditions of the “products” will enable the establishment of peculiarities. This study traces the relationships between the casta paintings and the basic features of this pictorial genre, comparing them with a series that Magón was ordered to paint and which was taken to Spain by the archbishop Lorenza. Finally, we examine the problematic condition of the relationship between legend, box, and work in this series, and eventually, based on the analysis of interdiscursivity, we consider taxonomy and the socio-racial classiication represented in this series of miscegenation paintings.http://revistas.uptc.edu.co/revistas/index.php/historia_memoria/article/view/2624Cuadros de castasinterdiscursividadJosé Joaquín MagónReformas BorbónicasNueva España
collection DOAJ
language Spanish
format Article
sources DOAJ
author Abel Fernando Martínez Martín
Luis Augusto Mora Bautista
spellingShingle Abel Fernando Martínez Martín
Luis Augusto Mora Bautista
Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón
Historia y Memoria
Cuadros de castas
interdiscursividad
José Joaquín Magón
Reformas Borbónicas
Nueva España
author_facet Abel Fernando Martínez Martín
Luis Augusto Mora Bautista
author_sort Abel Fernando Martínez Martín
title Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón
title_short Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón
title_full Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón
title_fullStr Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón
title_full_unstemmed Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón
title_sort interdiscursivity in the series of casta paintings attributed to the new spanish painter josé joaquín magón
publisher Universidad Pedagógica y Tecnológica de Colombia
series Historia y Memoria
issn 2027-5137
2322-777X
publishDate 2014-01-01
description This article seeks to analyze a series of casta paintings attributed to José Joaquín Magón. Furthermore, the characteristic of including a literary legend that makes value judgments about the moral and social conditions of the “products” will enable the establishment of peculiarities. This study traces the relationships between the casta paintings and the basic features of this pictorial genre, comparing them with a series that Magón was ordered to paint and which was taken to Spain by the archbishop Lorenza. Finally, we examine the problematic condition of the relationship between legend, box, and work in this series, and eventually, based on the analysis of interdiscursivity, we consider taxonomy and the socio-racial classiication represented in this series of miscegenation paintings.
topic Cuadros de castas
interdiscursividad
José Joaquín Magón
Reformas Borbónicas
Nueva España
url http://revistas.uptc.edu.co/revistas/index.php/historia_memoria/article/view/2624
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