Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón
This article seeks to analyze a series of casta paintings attributed to José Joaquín Magón. Furthermore, the characteristic of including a literary legend that makes value judgments about the moral and social conditions of the “products” will enable the establishment of peculiarities. This study tra...
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Universidad Pedagógica y Tecnológica de Colombia
2014-01-01
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Online Access: | http://revistas.uptc.edu.co/revistas/index.php/historia_memoria/article/view/2624 |
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doaj-076536f5848045ce9d89f4aeac350dd72020-11-25T02:32:51ZspaUniversidad Pedagógica y Tecnológica de ColombiaHistoria y Memoria2027-51372322-777X2014-01-010824529510.19053/20275137.26242388Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín MagónAbel Fernando Martínez Martín0Luis Augusto Mora Bautista1Universidad Pedagógica y Tecnológica de ColombiaUniversidad Pedagógica y Tecnológica de ColombiaThis article seeks to analyze a series of casta paintings attributed to José Joaquín Magón. Furthermore, the characteristic of including a literary legend that makes value judgments about the moral and social conditions of the “products” will enable the establishment of peculiarities. This study traces the relationships between the casta paintings and the basic features of this pictorial genre, comparing them with a series that Magón was ordered to paint and which was taken to Spain by the archbishop Lorenza. Finally, we examine the problematic condition of the relationship between legend, box, and work in this series, and eventually, based on the analysis of interdiscursivity, we consider taxonomy and the socio-racial classiication represented in this series of miscegenation paintings.http://revistas.uptc.edu.co/revistas/index.php/historia_memoria/article/view/2624Cuadros de castasinterdiscursividadJosé Joaquín MagónReformas BorbónicasNueva España |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Abel Fernando Martínez Martín Luis Augusto Mora Bautista |
spellingShingle |
Abel Fernando Martínez Martín Luis Augusto Mora Bautista Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón Historia y Memoria Cuadros de castas interdiscursividad José Joaquín Magón Reformas Borbónicas Nueva España |
author_facet |
Abel Fernando Martínez Martín Luis Augusto Mora Bautista |
author_sort |
Abel Fernando Martínez Martín |
title |
Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón |
title_short |
Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón |
title_full |
Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón |
title_fullStr |
Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón |
title_full_unstemmed |
Interdiscursivity in the series of casta paintings attributed to the New Spanish painter José Joaquín Magón |
title_sort |
interdiscursivity in the series of casta paintings attributed to the new spanish painter josé joaquín magón |
publisher |
Universidad Pedagógica y Tecnológica de Colombia |
series |
Historia y Memoria |
issn |
2027-5137 2322-777X |
publishDate |
2014-01-01 |
description |
This article seeks to analyze a series of casta paintings attributed to José Joaquín Magón. Furthermore, the characteristic of including a literary legend that makes
value judgments about the moral and social conditions of the “products” will enable the establishment of peculiarities. This study traces the relationships between
the casta paintings and the basic features of this pictorial genre, comparing them with a series that Magón was ordered to paint and which was taken to Spain by the archbishop Lorenza. Finally, we examine the problematic condition of the relationship between legend, box, and work in this series, and eventually, based on the
analysis of interdiscursivity, we consider taxonomy and the socio-racial classiication represented in this series of miscegenation paintings. |
topic |
Cuadros de castas interdiscursividad José Joaquín Magón Reformas Borbónicas Nueva España |
url |
http://revistas.uptc.edu.co/revistas/index.php/historia_memoria/article/view/2624 |
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