Bouches béantes et voix blanches dans le théâtre de Howard Barker
This paper explores the ambiguous treatment of vocality in the work of Howard Barker, whose theatre appears as an attempt to conjure up the voice of the dead. By comparing his plays and his paintings, it strives to underline the paradoxical function of the mouth in Barker’s imagination, where it fun...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2013-07-01
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| Series: | Sillages Critiques |
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| Online Access: | http://journals.openedition.org/sillagescritiques/2977 |