Anticipation of postmodern artistic practices in popular culture: The Beatles

The paper points to the disappearance of the division of art into 'high' and 'popular', with a particular emphasis on popular music, which under given circumstances adopts certain aesthetic standards of classical music forms. The authors also analyse the reverse process: the popu...

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Main Authors: Božilović Nikola T., Tasić Miloš B.
Format: Article
Language:English
Published: Serbian Sociological Association, Belgrade 2019-01-01
Series:Sociološki Pregled
Subjects:
Online Access:https://scindeks-clanci.ceon.rs/data/pdf/0085-6320/2019/0085-63201902488B.pdf
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spelling doaj-0a329c71bbce404bbefb10d0af9f508e2021-04-02T13:52:57ZengSerbian Sociological Association, BelgradeSociološki Pregled0085-63202560-48802019-01-015324885130085-63201902488BAnticipation of postmodern artistic practices in popular culture: The BeatlesBožilović Nikola T.0Tasić Miloš B.1https://orcid.org/0000-0003-4355-2326Univerzitet u Nišu, Filozofski fakultetUniverzitet u Nišu, Mašinski fakultetThe paper points to the disappearance of the division of art into 'high' and 'popular', with a particular emphasis on popular music, which under given circumstances adopts certain aesthetic standards of classical music forms. The authors also analyse the reverse process: the popularisation of classical music, in the composing-arranging and the performing sense. Particular attention is paid to the role, status and reach of popular culture/art in contemporary postmodern ventures. In this context, the Beatles represent a paradigmatic example, due to the fact that they used a plethora of postmodern creative procedures. The authors conduct an analysis of two characteristic Beatles' albums (Sgt. Pepper's Lonely Hearts Club Band and The Beatles, known as 'The White Album') that incorporate the key principles of postmodern aesthetics.https://scindeks-clanci.ceon.rs/data/pdf/0085-6320/2019/0085-63201902488B.pdfpopular culturepostmodernismpop-rock musicthe beatlesintertwining of music styles
collection DOAJ
language English
format Article
sources DOAJ
author Božilović Nikola T.
Tasić Miloš B.
spellingShingle Božilović Nikola T.
Tasić Miloš B.
Anticipation of postmodern artistic practices in popular culture: The Beatles
Sociološki Pregled
popular culture
postmodernism
pop-rock music
the beatles
intertwining of music styles
author_facet Božilović Nikola T.
Tasić Miloš B.
author_sort Božilović Nikola T.
title Anticipation of postmodern artistic practices in popular culture: The Beatles
title_short Anticipation of postmodern artistic practices in popular culture: The Beatles
title_full Anticipation of postmodern artistic practices in popular culture: The Beatles
title_fullStr Anticipation of postmodern artistic practices in popular culture: The Beatles
title_full_unstemmed Anticipation of postmodern artistic practices in popular culture: The Beatles
title_sort anticipation of postmodern artistic practices in popular culture: the beatles
publisher Serbian Sociological Association, Belgrade
series Sociološki Pregled
issn 0085-6320
2560-4880
publishDate 2019-01-01
description The paper points to the disappearance of the division of art into 'high' and 'popular', with a particular emphasis on popular music, which under given circumstances adopts certain aesthetic standards of classical music forms. The authors also analyse the reverse process: the popularisation of classical music, in the composing-arranging and the performing sense. Particular attention is paid to the role, status and reach of popular culture/art in contemporary postmodern ventures. In this context, the Beatles represent a paradigmatic example, due to the fact that they used a plethora of postmodern creative procedures. The authors conduct an analysis of two characteristic Beatles' albums (Sgt. Pepper's Lonely Hearts Club Band and The Beatles, known as 'The White Album') that incorporate the key principles of postmodern aesthetics.
topic popular culture
postmodernism
pop-rock music
the beatles
intertwining of music styles
url https://scindeks-clanci.ceon.rs/data/pdf/0085-6320/2019/0085-63201902488B.pdf
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