Jedna, żadna i sto tysięcy. Włoszka jako medium
The stake in a heated discussion on reviving tarantism in the Salentian culture by initiators and partcicipants of the project ‘The spider of a dancing god’ was the reinterpretation of the phenomenon itself: tarantism, which was perceived as a thing of the past and an embarrassing social problem, w...
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Wydawnictwo Naukowe Uniwersytetu Pedagogicznego
2019-12-01
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| Series: | Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria |
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| Online Access: | https://studiahistoricolitteraria.up.krakow.pl/article/view/6838 |
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doaj-0a5002510ca343e680bbd349235a08cf |
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Article |
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doaj-0a5002510ca343e680bbd349235a08cf2021-06-13T18:32:17ZdeuWydawnictwo Naukowe Uniwersytetu PedagogicznegoAnnales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria2081-18532300-58312019-12-011910.24917/20811853.19.20Jedna, żadna i sto tysięcy. Włoszka jako mediumKatarzyna Woźniak 0Uniwersytet Wrocławski The stake in a heated discussion on reviving tarantism in the Salentian culture by initiators and partcicipants of the project ‘The spider of a dancing god’ was the reinterpretation of the phenomenon itself: tarantism, which was perceived as a thing of the past and an embarrassing social problem, was to become artistically modified, namely isolated from life and displayed on stage. Rejecting tarantism as a folk practice and an attempt at representing it could also be interpreted as turning a blind eye to the problem of a woman’s position in society, without proposing anything in turn. Technological and social progress did not go hand in hand with the emancipation of an Italian woman. Luigi Piradnello in his drama, and Franka Rame in her monodrama captured this phenomenon brilliantly. https://studiahistoricolitteraria.up.krakow.pl/article/view/6838Pirandellotarantyzmkobieta w kulturze masowejFranca Ramedramat |
| collection |
DOAJ |
| language |
deu |
| format |
Article |
| sources |
DOAJ |
| author |
Katarzyna Woźniak |
| spellingShingle |
Katarzyna Woźniak Jedna, żadna i sto tysięcy. Włoszka jako medium Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria Pirandello tarantyzm kobieta w kulturze masowej Franca Rame dramat |
| author_facet |
Katarzyna Woźniak |
| author_sort |
Katarzyna Woźniak |
| title |
Jedna, żadna i sto tysięcy. Włoszka jako medium |
| title_short |
Jedna, żadna i sto tysięcy. Włoszka jako medium |
| title_full |
Jedna, żadna i sto tysięcy. Włoszka jako medium |
| title_fullStr |
Jedna, żadna i sto tysięcy. Włoszka jako medium |
| title_full_unstemmed |
Jedna, żadna i sto tysięcy. Włoszka jako medium |
| title_sort |
jedna, żadna i sto tysięcy. włoszka jako medium |
| publisher |
Wydawnictwo Naukowe Uniwersytetu Pedagogicznego |
| series |
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria |
| issn |
2081-1853 2300-5831 |
| publishDate |
2019-12-01 |
| description |
The stake in a heated discussion on reviving tarantism in the Salentian culture by initiators and partcicipants of the project ‘The spider of a dancing god’ was the reinterpretation of the phenomenon itself: tarantism, which was perceived as a thing of the past and an embarrassing social problem, was to become artistically modified, namely isolated from life and displayed on stage. Rejecting tarantism as a folk practice and an attempt at representing it could also be interpreted as turning a blind eye to the problem of a woman’s position in society, without proposing anything in turn. Technological and social progress did not go hand in hand with the emancipation of an Italian woman. Luigi Piradnello in his drama, and Franka Rame in her monodrama captured this phenomenon brilliantly.
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| topic |
Pirandello tarantyzm kobieta w kulturze masowej Franca Rame dramat |
| url |
https://studiahistoricolitteraria.up.krakow.pl/article/view/6838 |
| work_keys_str_mv |
AT katarzynawozniak jednazadnaistotysiecywłoszkajakomedium |
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1721378991088074752 |