Inscribing Votive Offerings and Tamata: Narratives, Artefacts, Asklepios, and Panagia Megalochari

Divine miracle healing in the ancient and modern worlds is extensively documented through historical and literary texts, votive offerings, inscriptions, and miracle stories. In this article I focus on the votive inscriptions at the temple complex of the healing god Asklepios at Epidauros, and the mi...

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Main Author: Steven M. Oberhelman
Format: Article
Language:English
Published: Athens Institute for Education and Research 2020-01-01
Series:Athens Journal of Humanities & Arts
Online Access:https://www.athensjournals.gr/humanities/2020-7-1-1-Oberhelman.pdf
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spelling doaj-0c15757628864c32a270be4cb88845382021-07-19T06:32:48ZengAthens Institute for Education and ResearchAthens Journal of Humanities & Arts2241-77022020-01-0171154410.30958/ajha.7.1.1Inscribing Votive Offerings and Tamata: Narratives, Artefacts, Asklepios, and Panagia Megalochari Steven M. Oberhelman0Professor of Classics, Holder of the George Sumey Jr Endowed Professorship of Liberal Arts, and Associate Dean, Texas A&M University, USADivine miracle healing in the ancient and modern worlds is extensively documented through historical and literary texts, votive offerings, inscriptions, and miracle stories. In this article I focus on the votive inscriptions at the temple complex of the healing god Asklepios at Epidauros, and the miracle stories at the Church of Panagia Megalochari on the Greek island of Tinos, and how they were crafted to tell a narrative of healing not only to accompany the votive offerings, but also to reimagine those offerings by providing a written framework that was previously assumed or was lacking. The purpose of the stories, which usually date after the offerings that they describe, is to position the gifts within a narrative of faith and socio-cultural discourse. The written texts, preserving what were originally private stories and/or oral traditions, function as a public narrative and allow their reader to reimagine, amplify, and reinterpret the visual gifts as manifestations of the power of the healing god Asklepios or the healing grace of Panagia Megalochari.https://www.athensjournals.gr/humanities/2020-7-1-1-Oberhelman.pdf
collection DOAJ
language English
format Article
sources DOAJ
author Steven M. Oberhelman
spellingShingle Steven M. Oberhelman
Inscribing Votive Offerings and Tamata: Narratives, Artefacts, Asklepios, and Panagia Megalochari
Athens Journal of Humanities & Arts
author_facet Steven M. Oberhelman
author_sort Steven M. Oberhelman
title Inscribing Votive Offerings and Tamata: Narratives, Artefacts, Asklepios, and Panagia Megalochari
title_short Inscribing Votive Offerings and Tamata: Narratives, Artefacts, Asklepios, and Panagia Megalochari
title_full Inscribing Votive Offerings and Tamata: Narratives, Artefacts, Asklepios, and Panagia Megalochari
title_fullStr Inscribing Votive Offerings and Tamata: Narratives, Artefacts, Asklepios, and Panagia Megalochari
title_full_unstemmed Inscribing Votive Offerings and Tamata: Narratives, Artefacts, Asklepios, and Panagia Megalochari
title_sort inscribing votive offerings and tamata: narratives, artefacts, asklepios, and panagia megalochari
publisher Athens Institute for Education and Research
series Athens Journal of Humanities & Arts
issn 2241-7702
publishDate 2020-01-01
description Divine miracle healing in the ancient and modern worlds is extensively documented through historical and literary texts, votive offerings, inscriptions, and miracle stories. In this article I focus on the votive inscriptions at the temple complex of the healing god Asklepios at Epidauros, and the miracle stories at the Church of Panagia Megalochari on the Greek island of Tinos, and how they were crafted to tell a narrative of healing not only to accompany the votive offerings, but also to reimagine those offerings by providing a written framework that was previously assumed or was lacking. The purpose of the stories, which usually date after the offerings that they describe, is to position the gifts within a narrative of faith and socio-cultural discourse. The written texts, preserving what were originally private stories and/or oral traditions, function as a public narrative and allow their reader to reimagine, amplify, and reinterpret the visual gifts as manifestations of the power of the healing god Asklepios or the healing grace of Panagia Megalochari.
url https://www.athensjournals.gr/humanities/2020-7-1-1-Oberhelman.pdf
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