Scharoun. From refined composition to violent ugliness
Abstract It could be said that the first approach by young Hans Scharoun to expressionism implied the search of an aesthetic and formal alternative both to the academic and classical tradition and to its modern sequel, the “New Objectivity “. And this is how his career was born; that is, supported...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Universidad Politécnica de Madrid
2017-12-01
|
Series: | Cuadernos de Proyectos Arquitectónicos |
Subjects: | |
Online Access: | http://polired.upm.es/index.php/proyectos_arquitectonicos/article/view/3722 |
id |
doaj-0d2bde893ad846008f797897d51a1d9a |
---|---|
record_format |
Article |
spelling |
doaj-0d2bde893ad846008f797897d51a1d9a2021-04-16T08:50:41ZengUniversidad Politécnica de MadridCuadernos de Proyectos Arquitectónicos2171-956X2174-11312017-12-01071771793594Scharoun. From refined composition to violent uglinessAntón CapitelAbstract It could be said that the first approach by young Hans Scharoun to expressionism implied the search of an aesthetic and formal alternative both to the academic and classical tradition and to its modern sequel, the “New Objectivity “. And this is how his career was born; that is, supported by expressionism. From that time (1919-1921), some drawings without exact function and some competitions are well known, such as the square for the Cathedral in Prenzlau(1920) and the cultural center of Gelsenkirchen (1920), among others. In all these works Scharoun used an intense eclecticism of Gothic nuances and a new language that seemed to follow the path of Bruno Taut.http://polired.upm.es/index.php/proyectos_arquitectonicos/article/view/3722compositionrefinementuglinessbeautyscharoun |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Antón Capitel |
spellingShingle |
Antón Capitel Scharoun. From refined composition to violent ugliness Cuadernos de Proyectos Arquitectónicos composition refinement ugliness beauty scharoun |
author_facet |
Antón Capitel |
author_sort |
Antón Capitel |
title |
Scharoun. From refined composition to violent ugliness |
title_short |
Scharoun. From refined composition to violent ugliness |
title_full |
Scharoun. From refined composition to violent ugliness |
title_fullStr |
Scharoun. From refined composition to violent ugliness |
title_full_unstemmed |
Scharoun. From refined composition to violent ugliness |
title_sort |
scharoun. from refined composition to violent ugliness |
publisher |
Universidad Politécnica de Madrid |
series |
Cuadernos de Proyectos Arquitectónicos |
issn |
2171-956X 2174-1131 |
publishDate |
2017-12-01 |
description |
Abstract
It could be said that the first approach by young Hans Scharoun to expressionism implied the search of an aesthetic and formal alternative both to the academic and classical tradition and to its modern sequel, the “New Objectivity “. And this is how his career was born; that is, supported by expressionism. From that time (1919-1921), some drawings without exact function and some competitions are well known, such as the square for the Cathedral in Prenzlau(1920) and the cultural center of Gelsenkirchen (1920), among others. In all these works Scharoun used an intense eclecticism of Gothic nuances and a new language that seemed to follow the path of Bruno Taut. |
topic |
composition refinement ugliness beauty scharoun |
url |
http://polired.upm.es/index.php/proyectos_arquitectonicos/article/view/3722 |
work_keys_str_mv |
AT antoncapitel scharounfromrefinedcompositiontoviolentugliness |
_version_ |
1721525317692030976 |