Typography as a regime of reading/looking in Toni Morrison’s The Bluest Eye (1970)
This paper aims to investigate the significance of typography in Toni Morrison’s The Bluest Eye. With this view, the research deployed multimodal theory and multimodal stylistics theorized and developed by Kress & Van Leeuwen, Van Leeuwen's social semiotics, and Norgaard's m...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2020-01-01
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| Series: | Cogent Arts & Humanities |
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| Online Access: | http://dx.doi.org/10.1080/23311983.2020.1811580 |