Changing One’s Tune: Re-reading the Structure of Psalm 132 as Complex Antiphony

Complex antiphony, which allows dialogue between non-linearly adjacent cola in a psalm, provides the potential for re-reading problematic Hebrew texts such as Psalm 132. This article studies the two main structural options that have been proposed for Psalm 132, arguing in preference for the minority...

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Main Author: Wen-Pin Leow
Format: Article
Language:Afrikaans
Published: OTSSA 2019-05-01
Series:Old Testament Essays
Subjects:
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spelling doaj-10b5c48f23ff425091f81c06646090b82020-11-25T01:36:38ZafrOTSSAOld Testament Essays1010-99192312-36212019-05-01321325710.17159/2312-3621/2019/v32n1a4Changing One’s Tune: Re-reading the Structure of Psalm 132 as Complex AntiphonyWen-Pin Leow 0Wycliffe Hall, University of OxfordComplex antiphony, which allows dialogue between non-linearly adjacent cola in a psalm, provides the potential for re-reading problematic Hebrew texts such as Psalm 132. This article studies the two main structural options that have been proposed for Psalm 132, arguing in preference for the minority view that places a major break after v. 9. It is then argued, based on this minority structure, that the multiple distinctive types of literary bonds between the two halves of the psalm point towards a form of complex antiphony known as steady responsa. It is then shown that such a steady responsa reading of Psalm 132 addresses some of the critical exegetical problems of the psalm, such as the referent of the pronominal suffixes in v. 6. In addition, this reading also reveals a coherent and rich petitionary rhetoric in Psalm 132.narrativehopememoryAntiphonySteady responsaNon-linear StructurePsalm 132
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author Wen-Pin Leow
spellingShingle Wen-Pin Leow
Changing One’s Tune: Re-reading the Structure of Psalm 132 as Complex Antiphony
Old Testament Essays
narrative
hope
memory
Antiphony
Steady responsa
Non-linear Structure
Psalm 132
author_facet Wen-Pin Leow
author_sort Wen-Pin Leow
title Changing One’s Tune: Re-reading the Structure of Psalm 132 as Complex Antiphony
title_short Changing One’s Tune: Re-reading the Structure of Psalm 132 as Complex Antiphony
title_full Changing One’s Tune: Re-reading the Structure of Psalm 132 as Complex Antiphony
title_fullStr Changing One’s Tune: Re-reading the Structure of Psalm 132 as Complex Antiphony
title_full_unstemmed Changing One’s Tune: Re-reading the Structure of Psalm 132 as Complex Antiphony
title_sort changing one’s tune: re-reading the structure of psalm 132 as complex antiphony
publisher OTSSA
series Old Testament Essays
issn 1010-9919
2312-3621
publishDate 2019-05-01
description Complex antiphony, which allows dialogue between non-linearly adjacent cola in a psalm, provides the potential for re-reading problematic Hebrew texts such as Psalm 132. This article studies the two main structural options that have been proposed for Psalm 132, arguing in preference for the minority view that places a major break after v. 9. It is then argued, based on this minority structure, that the multiple distinctive types of literary bonds between the two halves of the psalm point towards a form of complex antiphony known as steady responsa. It is then shown that such a steady responsa reading of Psalm 132 addresses some of the critical exegetical problems of the psalm, such as the referent of the pronominal suffixes in v. 6. In addition, this reading also reveals a coherent and rich petitionary rhetoric in Psalm 132.
topic narrative
hope
memory
Antiphony
Steady responsa
Non-linear Structure
Psalm 132
work_keys_str_mv AT wenpinleow changingonestunerereadingthestructureofpsalm132ascomplexantiphony
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