| Summary: | It is nothing new to discuss cinema in terms of analytical psychology: Gregory Matthew Singh’s Film After Jung: Post-Jungian Approaches to Film Theory (2009), Jung and Film: Post-Jungian Takes on the Moving Image (2001), edited by Christopher Hauke and Ian Alister, and Mis/takes: Archetype, Myth and Identity in Screen Fiction (2006) by Terrie Waddell all discuss archetypes and the concept of the collective unconscious within classical and contemporary cinema. In Tim Burton: The Monster and the Crowd: A Post-Jungian Perspective, Helena Bassil-Morozow utilises post-Jungian theoryto analysethe concept of creativity within the filmmaker’s entire oeuvre from Vincent (1982), his first short made while working at Disney Studios in Burbank, to Sweeney Todd: The Demon Barber of Fleet Street (2007), making it an ambitious and varied psychoanalytical study of some of the most popular and financially successful Hollywood films of the past thirty years.
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