Michael Jackson—‘Billie Jean’

In the first few months of my fieldwork in Bolivia the death of Michael Jackson prompted a shift in the soundtrack to daily life: for a brief window his music was everywhere. In the weeks that followed, I witnessed two Michael Jackson impersonators perform, one outside a church and one outside a sch...

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Main Author: Martyn Wemyss
Format: Article
Language:English
Published: Suomen Antropologinen Seura (Finnish Anthropological Society) 2019-02-01
Series:Suomen Antropologi
Online Access:https://journal.fi/suomenantropologi/article/view/78147/40219
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spelling doaj-11b2c8e2729648afa85bab3aacfdfb4b2020-11-25T00:30:38ZengSuomen Antropologinen Seura (Finnish Anthropological Society)Suomen Antropologi1799-89721799-89722019-02-0143210911310.30676/jfas.v43i2.78147Michael Jackson—‘Billie Jean’Martyn Wemyss 0Goldsmiths CollegeIn the first few months of my fieldwork in Bolivia the death of Michael Jackson prompted a shift in the soundtrack to daily life: for a brief window his music was everywhere. In the weeks that followed, I witnessed two Michael Jackson impersonators perform, one outside a church and one outside a school in the days that followed. Here I set the encounters with these two Michaels within the sonic world I had previously experienced, and frame them as ‘stagings’: momentary performances where cosmopolitan figures and frames are brought into local performances. I recount other such stagings and suggest that Michael Jackson’s death made him available to be danced in different contexts in which the new Bolivian modernity is produced.https://journal.fi/suomenantropologi/article/view/78147/40219
collection DOAJ
language English
format Article
sources DOAJ
author Martyn Wemyss
spellingShingle Martyn Wemyss
Michael Jackson—‘Billie Jean’
Suomen Antropologi
author_facet Martyn Wemyss
author_sort Martyn Wemyss
title Michael Jackson—‘Billie Jean’
title_short Michael Jackson—‘Billie Jean’
title_full Michael Jackson—‘Billie Jean’
title_fullStr Michael Jackson—‘Billie Jean’
title_full_unstemmed Michael Jackson—‘Billie Jean’
title_sort michael jackson—‘billie jean’
publisher Suomen Antropologinen Seura (Finnish Anthropological Society)
series Suomen Antropologi
issn 1799-8972
1799-8972
publishDate 2019-02-01
description In the first few months of my fieldwork in Bolivia the death of Michael Jackson prompted a shift in the soundtrack to daily life: for a brief window his music was everywhere. In the weeks that followed, I witnessed two Michael Jackson impersonators perform, one outside a church and one outside a school in the days that followed. Here I set the encounters with these two Michaels within the sonic world I had previously experienced, and frame them as ‘stagings’: momentary performances where cosmopolitan figures and frames are brought into local performances. I recount other such stagings and suggest that Michael Jackson’s death made him available to be danced in different contexts in which the new Bolivian modernity is produced.
url https://journal.fi/suomenantropologi/article/view/78147/40219
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