Michael Jackson—‘Billie Jean’
In the first few months of my fieldwork in Bolivia the death of Michael Jackson prompted a shift in the soundtrack to daily life: for a brief window his music was everywhere. In the weeks that followed, I witnessed two Michael Jackson impersonators perform, one outside a church and one outside a sch...
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Suomen Antropologinen Seura (Finnish Anthropological Society)
2019-02-01
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Online Access: | https://journal.fi/suomenantropologi/article/view/78147/40219 |
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doaj-11b2c8e2729648afa85bab3aacfdfb4b2020-11-25T00:30:38ZengSuomen Antropologinen Seura (Finnish Anthropological Society)Suomen Antropologi1799-89721799-89722019-02-0143210911310.30676/jfas.v43i2.78147Michael Jackson—‘Billie Jean’Martyn Wemyss 0Goldsmiths CollegeIn the first few months of my fieldwork in Bolivia the death of Michael Jackson prompted a shift in the soundtrack to daily life: for a brief window his music was everywhere. In the weeks that followed, I witnessed two Michael Jackson impersonators perform, one outside a church and one outside a school in the days that followed. Here I set the encounters with these two Michaels within the sonic world I had previously experienced, and frame them as ‘stagings’: momentary performances where cosmopolitan figures and frames are brought into local performances. I recount other such stagings and suggest that Michael Jackson’s death made him available to be danced in different contexts in which the new Bolivian modernity is produced.https://journal.fi/suomenantropologi/article/view/78147/40219 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Martyn Wemyss |
spellingShingle |
Martyn Wemyss Michael Jackson—‘Billie Jean’ Suomen Antropologi |
author_facet |
Martyn Wemyss |
author_sort |
Martyn Wemyss |
title |
Michael Jackson—‘Billie Jean’ |
title_short |
Michael Jackson—‘Billie Jean’ |
title_full |
Michael Jackson—‘Billie Jean’ |
title_fullStr |
Michael Jackson—‘Billie Jean’ |
title_full_unstemmed |
Michael Jackson—‘Billie Jean’ |
title_sort |
michael jackson—‘billie jean’ |
publisher |
Suomen Antropologinen Seura (Finnish Anthropological Society) |
series |
Suomen Antropologi |
issn |
1799-8972 1799-8972 |
publishDate |
2019-02-01 |
description |
In the first few months of my fieldwork in Bolivia the death of Michael Jackson prompted a shift in the soundtrack to daily life: for a brief window his music was everywhere. In the weeks that followed, I witnessed two Michael Jackson impersonators perform, one outside a church and one outside a school in the days that followed. Here I set the encounters with these two Michaels within the sonic world I had previously experienced, and frame them as ‘stagings’: momentary performances where cosmopolitan figures and frames are brought into local performances. I recount other such stagings and suggest that Michael Jackson’s death made him available to be danced in different contexts in which the new Bolivian modernity is produced. |
url |
https://journal.fi/suomenantropologi/article/view/78147/40219 |
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