God and Man as Unrepresentable Images

The Syrian bishop Theophilus of Antioch said: «Show me your man, and I will show you my God!». This sentence is a way of conveying that man is the image of God. Philosophical thought has attempted to grasp this image through the representation, which suggests the representation as both visual model...

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Main Author: Canullo Carla
Format: Article
Language:English
Published: De Gruyter 2019-06-01
Series:Open Theology
Subjects:
Online Access:https://doi.org/10.1515/opth-2019-0015
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spelling doaj-129eeccfd7914e338e71f4331ffc470f2021-10-02T17:48:09ZengDe GruyterOpen Theology2300-65792019-06-015115816510.1515/opth-2019-0015opth-2019-0015God and Man as Unrepresentable ImagesCanullo Carla0University of Macerata, Macerata, Italy;The Syrian bishop Theophilus of Antioch said: «Show me your man, and I will show you my God!». This sentence is a way of conveying that man is the image of God. Philosophical thought has attempted to grasp this image through the representation, which suggests the representation as both visual model and act of thought. The image as representation of thought is the method through which both God and man have been thought. This is confirmed by Immanuel Kant who, in the ‘transcendental Dialectic’ of the Critique of Pure Reason, showed that metaphysics thought both man (transcendental paralogism) and God (transcendental Ideal) as an ‘idea’. In contrast, Husserl’s phenomenology opened a new method by conceiving every image, and therefore also the image of God and man, not as a representation of thought but as a ‘phenomenon’ that manifests itself. The phenomenological method, based on the imperative “zu den Sachen selbst!”, would be adequate to grasp human essence that, like the divine one, is spiritual, indefinable and unrepresentable. In order to think this unrepresentability, the present paper investigates the work of Jean-Luc Marion, who thought the unrepresentable image of God and, therefore, of man, by distinguishing the image as an idol and as an icon. Above all, we will try to show that phenomenology allows us to grasp the image of God and man as an icon that cannot be constructed by thought.https://doi.org/10.1515/opth-2019-0015imagerepresentationphenomenologyidoliconinfinityimmanuel kantjean-luc marionblaise pascalgeorg cantor
collection DOAJ
language English
format Article
sources DOAJ
author Canullo Carla
spellingShingle Canullo Carla
God and Man as Unrepresentable Images
Open Theology
image
representation
phenomenology
idol
icon
infinity
immanuel kant
jean-luc marion
blaise pascal
georg cantor
author_facet Canullo Carla
author_sort Canullo Carla
title God and Man as Unrepresentable Images
title_short God and Man as Unrepresentable Images
title_full God and Man as Unrepresentable Images
title_fullStr God and Man as Unrepresentable Images
title_full_unstemmed God and Man as Unrepresentable Images
title_sort god and man as unrepresentable images
publisher De Gruyter
series Open Theology
issn 2300-6579
publishDate 2019-06-01
description The Syrian bishop Theophilus of Antioch said: «Show me your man, and I will show you my God!». This sentence is a way of conveying that man is the image of God. Philosophical thought has attempted to grasp this image through the representation, which suggests the representation as both visual model and act of thought. The image as representation of thought is the method through which both God and man have been thought. This is confirmed by Immanuel Kant who, in the ‘transcendental Dialectic’ of the Critique of Pure Reason, showed that metaphysics thought both man (transcendental paralogism) and God (transcendental Ideal) as an ‘idea’. In contrast, Husserl’s phenomenology opened a new method by conceiving every image, and therefore also the image of God and man, not as a representation of thought but as a ‘phenomenon’ that manifests itself. The phenomenological method, based on the imperative “zu den Sachen selbst!”, would be adequate to grasp human essence that, like the divine one, is spiritual, indefinable and unrepresentable. In order to think this unrepresentability, the present paper investigates the work of Jean-Luc Marion, who thought the unrepresentable image of God and, therefore, of man, by distinguishing the image as an idol and as an icon. Above all, we will try to show that phenomenology allows us to grasp the image of God and man as an icon that cannot be constructed by thought.
topic image
representation
phenomenology
idol
icon
infinity
immanuel kant
jean-luc marion
blaise pascal
georg cantor
url https://doi.org/10.1515/opth-2019-0015
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