Novel nanomaterials to stabilise the canvas support of paintings assessed from a conservator’s point of view

Abstract During conservation treatment, consolidants and deacidifying agents can be added to the canvas of a painting to mechanically stabilise it and counteract the acidity that promotes degradation. In this study, new stabilising consolidants and deacidifying agents based on different nanoparticle...

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Main Authors: Marta Oriola-Folch, Gema Campo-Francés, Anna Nualart-Torroja, Cristina Ruiz-Recasens, Iris Bautista-Morenilla
Format: Article
Language:English
Published: SpringerOpen 2020-02-01
Series:Heritage Science
Subjects:
Online Access:http://link.springer.com/article/10.1186/s40494-020-00367-2
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spelling doaj-12e04fae1e9d4d7fa615006033ac01072020-11-25T02:08:41ZengSpringerOpenHeritage Science2050-74452020-02-018111210.1186/s40494-020-00367-2Novel nanomaterials to stabilise the canvas support of paintings assessed from a conservator’s point of viewMarta Oriola-Folch0Gema Campo-Francés1Anna Nualart-Torroja2Cristina Ruiz-Recasens3Iris Bautista-Morenilla4Department of Arts and Conservation, Faculty of Fine Arts, University of BarcelonaDepartment of Arts and Conservation, Faculty of Fine Arts, University of BarcelonaDepartment of Arts and Conservation, Faculty of Fine Arts, University of BarcelonaDepartment of Arts and Conservation, Faculty of Fine Arts, University of BarcelonaDepartment of Arts and Conservation, Faculty of Fine Arts, University of BarcelonaAbstract During conservation treatment, consolidants and deacidifying agents can be added to the canvas of a painting to mechanically stabilise it and counteract the acidity that promotes degradation. In this study, new stabilising consolidants and deacidifying agents based on different nanoparticles (silica, calcium carbonate, magnesium oxide, cellulose nanofibrils and cellulose nanocrystals) were tested in comparison to traditionally used products. These products were applied onto different types of canvasses, and colour, gloss and pH changes were analysed. Conservators’ subjective perceptions on the ease of application and the final visual results of the products were also assessed. Specifically, conservators were asked to examine the drying time and the ease of use of the products, as well as any changes in stiffness, darkening or whitening caused by the products on the canvasses. The best products were the ones based on calcium carbonate, magnesium oxide and cellulose nanocrystals. Cellulose nanofibrils are also promising consolidants because they are highly compatible with the chemical nature of painting canvasses.http://link.springer.com/article/10.1186/s40494-020-00367-2NanoparticlesConservationPaintingsCanvasConsolidationDeacidification
collection DOAJ
language English
format Article
sources DOAJ
author Marta Oriola-Folch
Gema Campo-Francés
Anna Nualart-Torroja
Cristina Ruiz-Recasens
Iris Bautista-Morenilla
spellingShingle Marta Oriola-Folch
Gema Campo-Francés
Anna Nualart-Torroja
Cristina Ruiz-Recasens
Iris Bautista-Morenilla
Novel nanomaterials to stabilise the canvas support of paintings assessed from a conservator’s point of view
Heritage Science
Nanoparticles
Conservation
Paintings
Canvas
Consolidation
Deacidification
author_facet Marta Oriola-Folch
Gema Campo-Francés
Anna Nualart-Torroja
Cristina Ruiz-Recasens
Iris Bautista-Morenilla
author_sort Marta Oriola-Folch
title Novel nanomaterials to stabilise the canvas support of paintings assessed from a conservator’s point of view
title_short Novel nanomaterials to stabilise the canvas support of paintings assessed from a conservator’s point of view
title_full Novel nanomaterials to stabilise the canvas support of paintings assessed from a conservator’s point of view
title_fullStr Novel nanomaterials to stabilise the canvas support of paintings assessed from a conservator’s point of view
title_full_unstemmed Novel nanomaterials to stabilise the canvas support of paintings assessed from a conservator’s point of view
title_sort novel nanomaterials to stabilise the canvas support of paintings assessed from a conservator’s point of view
publisher SpringerOpen
series Heritage Science
issn 2050-7445
publishDate 2020-02-01
description Abstract During conservation treatment, consolidants and deacidifying agents can be added to the canvas of a painting to mechanically stabilise it and counteract the acidity that promotes degradation. In this study, new stabilising consolidants and deacidifying agents based on different nanoparticles (silica, calcium carbonate, magnesium oxide, cellulose nanofibrils and cellulose nanocrystals) were tested in comparison to traditionally used products. These products were applied onto different types of canvasses, and colour, gloss and pH changes were analysed. Conservators’ subjective perceptions on the ease of application and the final visual results of the products were also assessed. Specifically, conservators were asked to examine the drying time and the ease of use of the products, as well as any changes in stiffness, darkening or whitening caused by the products on the canvasses. The best products were the ones based on calcium carbonate, magnesium oxide and cellulose nanocrystals. Cellulose nanofibrils are also promising consolidants because they are highly compatible with the chemical nature of painting canvasses.
topic Nanoparticles
Conservation
Paintings
Canvas
Consolidation
Deacidification
url http://link.springer.com/article/10.1186/s40494-020-00367-2
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