Má Bohéma. Meze a možnosti historikova soudu // My Bohéma. Confines and possibilities of a historian’s judgement

The author considers in his article a Czech Television series called Bohéma aired in January and February 2017 (screenplay by Tereza Brdečková, direction by Robert Sedláček). This production merits attention not only as an artistic phenomenon but also as a background for questions that a historian...

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Bibliographic Details
Main Author: Jiří Hanuš
Format: Article
Language:ces
Published: Univerzita Karlova, Filozofická fakulta 2017-11-01
Series:Historie - Otázky - Problémy
Subjects:
Online Access:https://sites.ff.cuni.cz/historieotazkyproblemy/wp-content/uploads/sites/11/2017/11/Jiri_Hanus_72-80.pdf
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spelling doaj-1307db457c214026b74816e18bd58bde2020-11-25T01:14:12ZcesUniverzita Karlova, Filozofická fakultaHistorie - Otázky - Problémy1804-11322336-66722017-11-01927280Má Bohéma. Meze a možnosti historikova soudu // My Bohéma. Confines and possibilities of a historian’s judgementJiří Hanuš0Historický ústav Filozofické fakulty Masarykovy univerzityThe author considers in his article a Czech Television series called Bohéma aired in January and February 2017 (screenplay by Tereza Brdečková, direction by Robert Sedláček). This production merits attention not only as an artistic phenomenon but also as a background for questions that a historian asks. Is it really an interpretation of history or pure fiction? What is the genre of this work: playing with history on the edge between a trashy production, fiction with a historical background, playing with an ambition to present a slice of Czech history? In every case it is a stimulus for reflections on the relationship between ‘memory’ and its demands (represented by contemporaries — survivors) and ‘drawn history’, or art that has incorporated into its narrative real-life characters, time and space. For the author the series is a stimulus for bringing up to date classic historic themes.https://sites.ff.cuni.cz/historieotazkyproblemy/wp-content/uploads/sites/11/2017/11/Jiri_Hanus_72-80.pdffilmCzech history20th centurycoming to terms with the past
collection DOAJ
language ces
format Article
sources DOAJ
author Jiří Hanuš
spellingShingle Jiří Hanuš
Má Bohéma. Meze a možnosti historikova soudu // My Bohéma. Confines and possibilities of a historian’s judgement
Historie - Otázky - Problémy
film
Czech history
20th century
coming to terms with the past
author_facet Jiří Hanuš
author_sort Jiří Hanuš
title Má Bohéma. Meze a možnosti historikova soudu // My Bohéma. Confines and possibilities of a historian’s judgement
title_short Má Bohéma. Meze a možnosti historikova soudu // My Bohéma. Confines and possibilities of a historian’s judgement
title_full Má Bohéma. Meze a možnosti historikova soudu // My Bohéma. Confines and possibilities of a historian’s judgement
title_fullStr Má Bohéma. Meze a možnosti historikova soudu // My Bohéma. Confines and possibilities of a historian’s judgement
title_full_unstemmed Má Bohéma. Meze a možnosti historikova soudu // My Bohéma. Confines and possibilities of a historian’s judgement
title_sort má bohéma. meze a možnosti historikova soudu // my bohéma. confines and possibilities of a historian’s judgement
publisher Univerzita Karlova, Filozofická fakulta
series Historie - Otázky - Problémy
issn 1804-1132
2336-6672
publishDate 2017-11-01
description The author considers in his article a Czech Television series called Bohéma aired in January and February 2017 (screenplay by Tereza Brdečková, direction by Robert Sedláček). This production merits attention not only as an artistic phenomenon but also as a background for questions that a historian asks. Is it really an interpretation of history or pure fiction? What is the genre of this work: playing with history on the edge between a trashy production, fiction with a historical background, playing with an ambition to present a slice of Czech history? In every case it is a stimulus for reflections on the relationship between ‘memory’ and its demands (represented by contemporaries — survivors) and ‘drawn history’, or art that has incorporated into its narrative real-life characters, time and space. For the author the series is a stimulus for bringing up to date classic historic themes.
topic film
Czech history
20th century
coming to terms with the past
url https://sites.ff.cuni.cz/historieotazkyproblemy/wp-content/uploads/sites/11/2017/11/Jiri_Hanus_72-80.pdf
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