La morte dietro l’angolo. Tupac Shakur, icona afroamericana tra hip hop e cinema = Death around the corner: Tupac Shakur as afroamerican icon between hip-hop and cinema
Death around the corner: Tupac Shakur as afroamerican icon between hip-hop and cinema. The way an artist turns into an icon in the popular music system is allowed by the deep narrative structures detectable in the artist’s biography. The case of Tupac Shakur (1971-1996) as an icon of the afroamerica...
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Università del Salento
2015-06-01
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Online Access: | http://siba-ese.unisalento.it/index.php/h-ermes/article/view/14952 |
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doaj-142da44df6b640889666a90a0c1e74472020-11-24T21:17:46ZengUniversità del SalentoH-ermes: Journal of Communication2284-07532015-06-012015413115210.1285/i22840753n4p13114186La morte dietro l’angolo. Tupac Shakur, icona afroamericana tra hip hop e cinema = Death around the corner: Tupac Shakur as afroamerican icon between hip-hop and cinemaLuca BandiraliDeath around the corner: Tupac Shakur as afroamerican icon between hip-hop and cinema. The way an artist turns into an icon in the popular music system is allowed by the deep narrative structures detectable in the artist’s biography. The case of Tupac Shakur (1971-1996) as an icon of the afroamerican hip hop subculture of the 90’s exemplifies the process at issue because his biography can be compared to a mitography, as to say that it concides with the archetypal structure of the mono-myth. These structures are strictly connected with the artist’s work as musician, which is often a sort of autobiographical storytelling. Beyond both artistic and biographical profiles of Tupac Shakur there’s a third iconic level: his acting career, which overlaps both life and music, introducing a series of symbolic relations and building a picture of himself. This picture is the main support to the cult icon Tupac Shakur has become.http://siba-ese.unisalento.it/index.php/h-ermes/article/view/14952Tupac Shakurhip hopiconaafroamericanocinemaheroes journeymonomyth |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Luca Bandirali |
spellingShingle |
Luca Bandirali La morte dietro l’angolo. Tupac Shakur, icona afroamericana tra hip hop e cinema = Death around the corner: Tupac Shakur as afroamerican icon between hip-hop and cinema H-ermes: Journal of Communication Tupac Shakur hip hop icona afroamericano cinema heroes journey monomyth |
author_facet |
Luca Bandirali |
author_sort |
Luca Bandirali |
title |
La morte dietro l’angolo. Tupac Shakur, icona afroamericana tra hip hop e cinema = Death around the corner: Tupac Shakur as afroamerican icon between hip-hop and cinema |
title_short |
La morte dietro l’angolo. Tupac Shakur, icona afroamericana tra hip hop e cinema = Death around the corner: Tupac Shakur as afroamerican icon between hip-hop and cinema |
title_full |
La morte dietro l’angolo. Tupac Shakur, icona afroamericana tra hip hop e cinema = Death around the corner: Tupac Shakur as afroamerican icon between hip-hop and cinema |
title_fullStr |
La morte dietro l’angolo. Tupac Shakur, icona afroamericana tra hip hop e cinema = Death around the corner: Tupac Shakur as afroamerican icon between hip-hop and cinema |
title_full_unstemmed |
La morte dietro l’angolo. Tupac Shakur, icona afroamericana tra hip hop e cinema = Death around the corner: Tupac Shakur as afroamerican icon between hip-hop and cinema |
title_sort |
la morte dietro l’angolo. tupac shakur, icona afroamericana tra hip hop e cinema = death around the corner: tupac shakur as afroamerican icon between hip-hop and cinema |
publisher |
Università del Salento |
series |
H-ermes: Journal of Communication |
issn |
2284-0753 |
publishDate |
2015-06-01 |
description |
Death around the corner: Tupac Shakur as afroamerican icon between hip-hop and cinema. The way an artist turns into an icon in the popular music system is allowed by the deep narrative structures detectable in the artist’s biography. The case of Tupac Shakur (1971-1996) as an icon of the afroamerican hip hop subculture of the 90’s exemplifies the process at issue because his biography can be compared to a mitography, as to say that it concides with the archetypal structure of the mono-myth. These structures are strictly connected with the artist’s work as musician, which is often a sort of autobiographical storytelling. Beyond both artistic and biographical profiles of Tupac Shakur there’s a third iconic level: his acting career, which overlaps both life and music, introducing a series of symbolic relations and building a picture of himself. This picture is the main support to the cult icon Tupac Shakur has become. |
topic |
Tupac Shakur hip hop icona afroamericano cinema heroes journey monomyth |
url |
http://siba-ese.unisalento.it/index.php/h-ermes/article/view/14952 |
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