AUTOBIOGRAPHY AS ARTISTIC FICTION

Autocommunication between the narrator and the subject's model - the image of themselves - in the space of a narrative turns into artistic fiction. Through aesthetic judgment, the model becomes a character of the story, and its author is the creator of their life. The embodiment of experience i...

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Main Author: Nikitina, E.S.
Format: Article
Language:English
Published: Marina Sokolova Publishings 2019-06-01
Series:Russian Linguistic Bulletin
Subjects:
Online Access:http://rulb.org/wp-content/uploads/wpem/pdf_compilations/2(18)/4-8.pdf
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spelling doaj-15c47a31ccc24dd0afb6722d87a9824e2021-04-02T14:46:58ZengMarina Sokolova PublishingsRussian Linguistic Bulletin2313-02882411-29682019-06-012184810.18454/RULB.2019.18.2.618454/RULB.2019.18.2.6AUTOBIOGRAPHY AS ARTISTIC FICTIONNikitina, E.S.0Institute of Linguistics of the Russian Academy of SciencesAutocommunication between the narrator and the subject's model - the image of themselves - in the space of a narrative turns into artistic fiction. Through aesthetic judgment, the model becomes a character of the story, and its author is the creator of their life. The embodiment of experience in the form of a narrative makes it possible to comprehend it in the interpersonal sphere. Here, a dialogical turn of co-being comes to the fore including the one who understands the speech in other contexts. If one takes the view that the narrative constructs reality, then the technology of the narrative can be designated as dialogization of the situation: inclusion of others, considering the positions of these others, their experiences and the correlation of all these points with each other. Thus the text is created. As a structure representing reality, the narrative scheme is a dramaturgic model of a certain sphere of life. Life, in this sense, is as much a product of imagination as the story of it. The narration imitates life, and life imitates the narrative. It is created by people in the process of searching for interpretations of selected events. The story of one's life is almost always a cognitive action, rather than an artless presentation of something unambiguously given. Ultimately, this is a narrative action. From a psychological point of view, there is no such a thing as “life in itself”. At least, it is the result of selective work of memory; the rest of the narrative of one's life is an art of imagination and interpretation.http://rulb.org/wp-content/uploads/wpem/pdf_compilations/2(18)/4-8.pdfautobiographyautocommunicationauthorheroconstructing realitysubject’s modelnarrativestoryplotvalue of lifetext as a subjectавтобиографияавтокоммуникацияавторгеройконструирование реальностимодель субъектанарративсюжетфабулаценность жизнитекст как субъект
collection DOAJ
language English
format Article
sources DOAJ
author Nikitina, E.S.
spellingShingle Nikitina, E.S.
AUTOBIOGRAPHY AS ARTISTIC FICTION
Russian Linguistic Bulletin
autobiography
autocommunication
author
hero
constructing reality
subject’s model
narrative
story
plot
value of life
text as a subject
автобиография
автокоммуникация
автор
герой
конструирование реальности
модель субъекта
нарратив
сюжет
фабула
ценность жизни
текст как субъект
author_facet Nikitina, E.S.
author_sort Nikitina, E.S.
title AUTOBIOGRAPHY AS ARTISTIC FICTION
title_short AUTOBIOGRAPHY AS ARTISTIC FICTION
title_full AUTOBIOGRAPHY AS ARTISTIC FICTION
title_fullStr AUTOBIOGRAPHY AS ARTISTIC FICTION
title_full_unstemmed AUTOBIOGRAPHY AS ARTISTIC FICTION
title_sort autobiography as artistic fiction
publisher Marina Sokolova Publishings
series Russian Linguistic Bulletin
issn 2313-0288
2411-2968
publishDate 2019-06-01
description Autocommunication between the narrator and the subject's model - the image of themselves - in the space of a narrative turns into artistic fiction. Through aesthetic judgment, the model becomes a character of the story, and its author is the creator of their life. The embodiment of experience in the form of a narrative makes it possible to comprehend it in the interpersonal sphere. Here, a dialogical turn of co-being comes to the fore including the one who understands the speech in other contexts. If one takes the view that the narrative constructs reality, then the technology of the narrative can be designated as dialogization of the situation: inclusion of others, considering the positions of these others, their experiences and the correlation of all these points with each other. Thus the text is created. As a structure representing reality, the narrative scheme is a dramaturgic model of a certain sphere of life. Life, in this sense, is as much a product of imagination as the story of it. The narration imitates life, and life imitates the narrative. It is created by people in the process of searching for interpretations of selected events. The story of one's life is almost always a cognitive action, rather than an artless presentation of something unambiguously given. Ultimately, this is a narrative action. From a psychological point of view, there is no such a thing as “life in itself”. At least, it is the result of selective work of memory; the rest of the narrative of one's life is an art of imagination and interpretation.
topic autobiography
autocommunication
author
hero
constructing reality
subject’s model
narrative
story
plot
value of life
text as a subject
автобиография
автокоммуникация
автор
герой
конструирование реальности
модель субъекта
нарратив
сюжет
фабула
ценность жизни
текст как субъект
url http://rulb.org/wp-content/uploads/wpem/pdf_compilations/2(18)/4-8.pdf
work_keys_str_mv AT nikitinaes autobiographyasartisticfiction
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