Proč Láokoón nekřičí? K diskontinuitám v poznání // Why does not Laocoon scream? On discontinuities in knowledge
The paper deals with the central problem of Lessing’s Laocoön „Why does not marble Laocoön in his famous depiction scream?“ against division of our experience into scientific knowledge and art. First, Lessing’s original solution based on the constitutive differences between poetry and plastic art...
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| Format: | Article |
| Language: | ces |
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Univerzita Karlova, Filozofická Fakulta
2017-10-01
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| Series: | Svět Literatury |
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| Online Access: | https://sites.ff.cuni.cz/svetliteratury/wp-content/uploads/sites/14/2017/09/Vojtech_Kolman_9-21.pdf |
| Summary: | The paper deals with the central problem of Lessing’s Laocoön „Why does not marble Laocoön in
his famous depiction scream?“ against division of our experience into scientific knowledge and art.
First, Lessing’s original solution based on the constitutive differences between poetry and plastic
arts is generalized leading to the difference between causal and intentional explanation. Second,
the resulting discontinuity between science and art is presented as an instance of a more basic discontinuity
between knowledge and its object to be overcome by a reflective account of knowledge as
derived from the philosophy of Hegel. |
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| ISSN: | 0862-8440 2336-6729 |