The Question of Lag: An Exploration of the Relationship Between Conductor Gesture and Sonic Response in Instrumental Ensembles

Group musical performance, especially large instrumental ensembles, present the outward appearance of an asymmetric, temporally immediate stimulus-response relationship between conductor and ensemble. Interestingly, anecdotal reports from both conductors and performers indicate a degree of variabili...

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Main Author: Cory D. Meals
Format: Article
Language:English
Published: Frontiers Media S.A. 2020-12-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fpsyg.2020.573030/full
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spelling doaj-18018c1de9024fefb03fef758c467a1c2020-12-10T04:58:23ZengFrontiers Media S.A.Frontiers in Psychology1664-10782020-12-011110.3389/fpsyg.2020.573030573030The Question of Lag: An Exploration of the Relationship Between Conductor Gesture and Sonic Response in Instrumental EnsemblesCory D. MealsGroup musical performance, especially large instrumental ensembles, present the outward appearance of an asymmetric, temporally immediate stimulus-response relationship between conductor and ensemble. Interestingly, anecdotal reports from both conductors and performers indicate a degree of variability in the timing of orchestral response to the conductor’s gestures. This observation is not present in anecdotal accounts of other instrumental ensemble settings, like wind bands, but commonplace occurrence among orchestral musicians indicates the potential presence of greater complexity in the observed relationship. This study investigates both the quality and quantity of temporal lag between conductor and ensemble in two common instrumental ensemble configurations – wind bands and orchestras – in an effort to describe the interplay present within conducted group performance. The findings indicate that the anecdotally identified lag is present within all ensemble types, and that it presents a flexible, dynamic temporal relationship between conductor and ensemble. Additionally, both the quantity and quality of lag values are significantly different between ensemble types, experience levels, and musical content. Several avenues for future research are identified, and confounds within the sampled ensembles are examined for their potential roles in the observed relationships.https://www.frontiersin.org/articles/10.3389/fpsyg.2020.573030/fullconductingmusical coordinationensemble performanceentrainmentmusic
collection DOAJ
language English
format Article
sources DOAJ
author Cory D. Meals
spellingShingle Cory D. Meals
The Question of Lag: An Exploration of the Relationship Between Conductor Gesture and Sonic Response in Instrumental Ensembles
Frontiers in Psychology
conducting
musical coordination
ensemble performance
entrainment
music
author_facet Cory D. Meals
author_sort Cory D. Meals
title The Question of Lag: An Exploration of the Relationship Between Conductor Gesture and Sonic Response in Instrumental Ensembles
title_short The Question of Lag: An Exploration of the Relationship Between Conductor Gesture and Sonic Response in Instrumental Ensembles
title_full The Question of Lag: An Exploration of the Relationship Between Conductor Gesture and Sonic Response in Instrumental Ensembles
title_fullStr The Question of Lag: An Exploration of the Relationship Between Conductor Gesture and Sonic Response in Instrumental Ensembles
title_full_unstemmed The Question of Lag: An Exploration of the Relationship Between Conductor Gesture and Sonic Response in Instrumental Ensembles
title_sort question of lag: an exploration of the relationship between conductor gesture and sonic response in instrumental ensembles
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2020-12-01
description Group musical performance, especially large instrumental ensembles, present the outward appearance of an asymmetric, temporally immediate stimulus-response relationship between conductor and ensemble. Interestingly, anecdotal reports from both conductors and performers indicate a degree of variability in the timing of orchestral response to the conductor’s gestures. This observation is not present in anecdotal accounts of other instrumental ensemble settings, like wind bands, but commonplace occurrence among orchestral musicians indicates the potential presence of greater complexity in the observed relationship. This study investigates both the quality and quantity of temporal lag between conductor and ensemble in two common instrumental ensemble configurations – wind bands and orchestras – in an effort to describe the interplay present within conducted group performance. The findings indicate that the anecdotally identified lag is present within all ensemble types, and that it presents a flexible, dynamic temporal relationship between conductor and ensemble. Additionally, both the quantity and quality of lag values are significantly different between ensemble types, experience levels, and musical content. Several avenues for future research are identified, and confounds within the sampled ensembles are examined for their potential roles in the observed relationships.
topic conducting
musical coordination
ensemble performance
entrainment
music
url https://www.frontiersin.org/articles/10.3389/fpsyg.2020.573030/full
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