An influential direction: Supino and the Davia Bargellini Museum
Igino Benvenuto Supino held the position of director of the Museo d'Arte Industriale of Bologna for almost 10 years, from 1929, after the death of the former director Francesco Malaguzzi Valeri. He found himself managing a unique museum, already provided with a versatile and comprehensive small...
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Online Access: | https://intreccidarte.unibo.it/article/view/8605 |
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doaj-19825d161b4b497f8e2b6e5f228dffd02020-11-24T23:05:48ZitaUniversity of BolognaIntrecci d'arte2240-72512018-10-0174365010.6092/issn.2240-7251/86057496An influential direction: Supino and the Davia Bargellini MuseumSilvia Battistini0Comune di Bologna, Musei CiviciIgino Benvenuto Supino held the position of director of the Museo d'Arte Industriale of Bologna for almost 10 years, from 1929, after the death of the former director Francesco Malaguzzi Valeri. He found himself managing a unique museum, already provided with a versatile and comprehensive small format catalogue which also came with an unusually large number of photos for that period. First of all, Supino commissioned the drafting of a new inventory of "objects, furniture and paintings" in order to verify the exact extent and provenance of the collection. During his management he made few but significant new acquisitions. He included only works valuable from an artistic point of view, avoiding those merely considered as fine local craftsmanship. He was forced to leave the position at the end of 1938, when he was formally dismissed after the promulgation of the Italian Racial Laws.https://intreccidarte.unibo.it/article/view/8605Museo Davia BargelliniMuseo d'Arte IndustrialeBolognaDirezioneIgino Benvenuto Supino |
collection |
DOAJ |
language |
Italian |
format |
Article |
sources |
DOAJ |
author |
Silvia Battistini |
spellingShingle |
Silvia Battistini An influential direction: Supino and the Davia Bargellini Museum Intrecci d'arte Museo Davia Bargellini Museo d'Arte Industriale Bologna Direzione Igino Benvenuto Supino |
author_facet |
Silvia Battistini |
author_sort |
Silvia Battistini |
title |
An influential direction: Supino and the Davia Bargellini Museum |
title_short |
An influential direction: Supino and the Davia Bargellini Museum |
title_full |
An influential direction: Supino and the Davia Bargellini Museum |
title_fullStr |
An influential direction: Supino and the Davia Bargellini Museum |
title_full_unstemmed |
An influential direction: Supino and the Davia Bargellini Museum |
title_sort |
influential direction: supino and the davia bargellini museum |
publisher |
University of Bologna |
series |
Intrecci d'arte |
issn |
2240-7251 |
publishDate |
2018-10-01 |
description |
Igino Benvenuto Supino held the position of director of the Museo d'Arte Industriale of Bologna for almost 10 years, from 1929, after the death of the former director Francesco Malaguzzi Valeri. He found himself managing a unique museum, already provided with a versatile and comprehensive small format catalogue which also came with an unusually large number of photos for that period. First of all, Supino commissioned the drafting of a new inventory of "objects, furniture and paintings" in order to verify the exact extent and provenance of the collection. During his management he made few but significant new acquisitions. He included only works valuable from an artistic point of view, avoiding those merely considered as fine local craftsmanship. He was forced to leave the position at the end of 1938, when he was formally dismissed after the promulgation of the Italian Racial Laws. |
topic |
Museo Davia Bargellini Museo d'Arte Industriale Bologna Direzione Igino Benvenuto Supino |
url |
https://intreccidarte.unibo.it/article/view/8605 |
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AT silviabattistini aninfluentialdirectionsupinoandthedaviabargellinimuseum AT silviabattistini influentialdirectionsupinoandthedaviabargellinimuseum |
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