Renditions of Faithfulness; from Jorge Calvetti’s Poetry to Gustavo Fontán’s Films.
An original and sensitive filmmaker, Gustavo Fontán goes beyond classic transpositions to venture into a poet’s obsessions, aesthetic and atmospheres. He has done so with the work of Jacobo Fijman, Juan L. Ortiz and Jorge Calvetti – to name just a few. In this paper I intend to explore El paisaje in...
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Pontifícia Universidade Católica de São Paulo
2015-04-01
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Series: | Teoliterária: Revista Brasileira de Literaturas e Teologias |
Online Access: | http://revistas.pucsp.br/index.php/teoliteraria/article/view/22848 |
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doaj-19c365b213c946438a83a460c3524fe12020-11-25T00:22:42ZengPontifícia Universidade Católica de São PauloTeoliterária: Revista Brasileira de Literaturas e Teologias2236-99372015-04-0136647915573Renditions of Faithfulness; from Jorge Calvetti’s Poetry to Gustavo Fontán’s Films.Adriana C. CidAn original and sensitive filmmaker, Gustavo Fontán goes beyond classic transpositions to venture into a poet’s obsessions, aesthetic and atmospheres. He has done so with the work of Jacobo Fijman, Juan L. Ortiz and Jorge Calvetti – to name just a few. In this paper I intend to explore El paisaje invisible, a short film by Fontán that brings us closer to Calvetti. I will focus on the director’s strategies – characteristic of the cinematographic language - that convey the poet’s mythical world and aesthetic, and I will analyze the union of both artists’ poetics. Finally, I would like to offer a brief explanation of the title of this article, which is drawn from a reflection by Calvetti: “All inspiration is born with its own form or forms. The same subject can be written as a narrative or in verse. Why not? They are different renditions of faithfulness.” I believe cinema is another rendition.<br /><br />http://revistas.pucsp.br/index.php/teoliteraria/article/view/22848 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Adriana C. Cid |
spellingShingle |
Adriana C. Cid Renditions of Faithfulness; from Jorge Calvetti’s Poetry to Gustavo Fontán’s Films. Teoliterária: Revista Brasileira de Literaturas e Teologias |
author_facet |
Adriana C. Cid |
author_sort |
Adriana C. Cid |
title |
Renditions of Faithfulness; from Jorge Calvetti’s Poetry to Gustavo Fontán’s Films. |
title_short |
Renditions of Faithfulness; from Jorge Calvetti’s Poetry to Gustavo Fontán’s Films. |
title_full |
Renditions of Faithfulness; from Jorge Calvetti’s Poetry to Gustavo Fontán’s Films. |
title_fullStr |
Renditions of Faithfulness; from Jorge Calvetti’s Poetry to Gustavo Fontán’s Films. |
title_full_unstemmed |
Renditions of Faithfulness; from Jorge Calvetti’s Poetry to Gustavo Fontán’s Films. |
title_sort |
renditions of faithfulness; from jorge calvetti’s poetry to gustavo fontán’s films. |
publisher |
Pontifícia Universidade Católica de São Paulo |
series |
Teoliterária: Revista Brasileira de Literaturas e Teologias |
issn |
2236-9937 |
publishDate |
2015-04-01 |
description |
An original and sensitive filmmaker, Gustavo Fontán goes beyond classic transpositions to venture into a poet’s obsessions, aesthetic and atmospheres. He has done so with the work of Jacobo Fijman, Juan L. Ortiz and Jorge Calvetti – to name just a few. In this paper I intend to explore El paisaje invisible, a short film by Fontán that brings us closer to Calvetti. I will focus on the director’s strategies – characteristic of the cinematographic language - that convey the poet’s mythical world and aesthetic, and I will analyze the union of both artists’ poetics. Finally, I would like to offer a brief explanation of the title of this article, which is drawn from a reflection by Calvetti: “All inspiration is born with its own form or forms. The same subject can be written as a narrative or in verse. Why not? They are different renditions of faithfulness.” I believe cinema is another rendition.<br /><br /> |
url |
http://revistas.pucsp.br/index.php/teoliteraria/article/view/22848 |
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