Radical Enformel in the Oeuvre of Ivo Gattin and Eugen Feller

Radical Enformel in the Oeuvre of Ivo Gattin and Eugen Feller

The paper focuses on Ivo Gattin and Eugen Feller as prominent figures in the so-called “radical Enformel”, an artistic trend in Croatian painting during the late 1950s and early 1960s. Besides them, the representatives of radical Enformel include Vlado Kristl, Marijan Javšovar, and Đuro Seder, who l...

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Bibliographic Details
Main Author: Ješa Denegri
Format: Article
Language:deu
Published: University of Zadar 2016-01-01
Series:Ars Adriatica
Subjects:
Enformel
Hladni rat
"radikalni enformel"
Ivo Gattin
"Novi material”
Eugen Feller
"Malampije"
Online Access:https://morepress.unizd.hr/journals/arsadriatica/article/view/538
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spelling doaj-1b3383aaf5a54902a322160e7eb1e1e72021-03-02T08:45:46ZdeuUniversity of ZadarArs Adriatica1848-15901848-74592016-01-016123124010.15291/ars.538533Radical Enformel in the Oeuvre of Ivo Gattin and Eugen FellerJeša Denegri0samostalni istraživač, dr. Ivana Ribara, 113/III, Beograd, Republika SrbijaThe paper focuses on Ivo Gattin and Eugen Feller as prominent figures in the so-called “radical Enformel”, an artistic trend in Croatian painting during the late 1950s and early 1960s. Besides them, the representatives of radical Enformel include Vlado Kristl, Marijan Javšovar, and Đuro Seder, who likewise participated in the exhibition Informel 1956-1962 at Nova Gallery in 1977. The theoretical platform for this trend in painting was found in hypotheses presented in the influential text “Materia, tecnica e storia nell’informale” (1959) by the Italian artcritic Giulio Carlo Argan, which were adapted to the specific Croatian circumstances and examples.https://morepress.unizd.hr/journals/arsadriatica/article/view/538EnformelHladni rat"radikalni enformel"Ivo Gattin"Novi material”Eugen Feller"Malampije"
collection DOAJ
language deu
format Article
sources DOAJ
author Ješa Denegri
spellingShingle Ješa Denegri
Radical Enformel in the Oeuvre of Ivo Gattin and Eugen Feller
Ars Adriatica
Enformel
Hladni rat
"radikalni enformel"
Ivo Gattin
"Novi material”
Eugen Feller
"Malampije"
author_facet Ješa Denegri
author_sort Ješa Denegri
title Radical Enformel in the Oeuvre of Ivo Gattin and Eugen Feller
title_short Radical Enformel in the Oeuvre of Ivo Gattin and Eugen Feller
title_full Radical Enformel in the Oeuvre of Ivo Gattin and Eugen Feller
title_fullStr Radical Enformel in the Oeuvre of Ivo Gattin and Eugen Feller
title_full_unstemmed Radical Enformel in the Oeuvre of Ivo Gattin and Eugen Feller
title_sort radical enformel in the oeuvre of ivo gattin and eugen feller
publisher University of Zadar
series Ars Adriatica
issn 1848-1590
1848-7459
publishDate 2016-01-01
description The paper focuses on Ivo Gattin and Eugen Feller as prominent figures in the so-called “radical Enformel”, an artistic trend in Croatian painting during the late 1950s and early 1960s. Besides them, the representatives of radical Enformel include Vlado Kristl, Marijan Javšovar, and Đuro Seder, who likewise participated in the exhibition Informel 1956-1962 at Nova Gallery in 1977. The theoretical platform for this trend in painting was found in hypotheses presented in the influential text “Materia, tecnica e storia nell’informale” (1959) by the Italian artcritic Giulio Carlo Argan, which were adapted to the specific Croatian circumstances and examples.
topic Enformel
Hladni rat
"radikalni enformel"
Ivo Gattin
"Novi material”
Eugen Feller
"Malampije"
url https://morepress.unizd.hr/journals/arsadriatica/article/view/538
work_keys_str_mv AT jesadenegri radicalenformelintheoeuvreofivogattinandeugenfeller
_version_ 1724240369192796160

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