Bed-trick and forced marriages. Shakespeare’s distortion of romantic comedy motifs in Measure for Measure
Although Measure for Measure ends with marriages and thus looks like a comedy, its ending leaves the audience unsettled. The Problem Plays in general, and Measure for Measure in particular, contrast with Shakespeare’s earlier, “romantic” comedies although one finds in it some of their features and p...
Main Author: | Frédérique Fouassier |
---|---|
Format: | Article |
Language: | English |
Published: |
Centre de Recherche "Texte et Critique de Texte"
2013-01-01
|
Series: | Sillages Critiques |
Subjects: | |
Online Access: | http://journals.openedition.org/sillagescritiques/2584 |
Similar Items
-
WOMEN’S MARITAL PROPERTY IN SHAKESPEARE’S ALL’S WELL THAT ENDS WELL AND MEASURE FOR MEASURE
by: Williams, Christian Brant
Published: (2017) -
Representation of Marriage and Relationships in Romantic Comedies from 2010
by: Mulawka, Natalia
Published: (2013) -
Representation of Marriage and Relationships in Romantic Comedies from 2010
by: Mulawka, Natalia
Published: (2013) -
Representation of Marriage and Relationships in Romantic Comedies from 2010
by: Mulawka, Natalia
Published: (2013) -
«Unbewaffnetes Auge»: Benjamin’s interpretation of comedy in Shakespeare and Molière
by: Alice Barale
Published: (2019-11-01)