Hearing loss and tinnitus in rock musicians: A Norwegian survey

Our focus in this study was to assess hearing thresholds and the prevalence and characteristics of tinnitus in a large group of rock musicians based in Norway. A further objective was to assess related factors such as exposure, instrument category, and the preventive effect of hearing protection. Th...

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Main Authors: Carl Christian Lein Størmer, Einar Laukli, Erik Harry Høydal, Niels Christian Stenklev
Format: Article
Language:English
Published: Wolters Kluwer Medknow Publications 2015-01-01
Series:Noise and Health
Subjects:
Online Access:http://www.noiseandhealth.org/article.asp?issn=1463-1741;year=2015;volume=17;issue=79;spage=411;epage=421;aulast=Størmer
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spelling doaj-1b8507facbd348fab53b588577b7b7182020-11-25T01:51:50ZengWolters Kluwer Medknow PublicationsNoise and Health1463-17411998-40302015-01-01177941142110.4103/1463-1741.169708Hearing loss and tinnitus in rock musicians: A Norwegian surveyCarl Christian Lein StørmerEinar LaukliErik Harry HøydalNiels Christian StenklevOur focus in this study was to assess hearing thresholds and the prevalence and characteristics of tinnitus in a large group of rock musicians based in Norway. A further objective was to assess related factors such as exposure, instrument category, and the preventive effect of hearing protection. The study was a cross-sectional survey of rock musicians selected at random from a defined cohort of musicians. A random control group was included for comparison. We recruited 111 active musicians from the Oslo region, and a control group of 40 nonmusicians from the student population at the University of TromsØ. The subjects were investigated using clinical examination, pure tone audiometry, tympanometry, and a questionnaire. We observed a hearing loss in 37.8% of the rock musicians. Significantly poorer hearing thresholds were seen at most pure-tone frequencies in musicians than controls, with the most pronounced threshold shift at 6 kHz. The use of hearing protection, in particular custom-fitted earplugs, has a preventive effect but a minority of rock musicians apply them consistently. The degree of musical performance exposure was inversely related to the degree of hearing loss in our sample. Bass and guitar players had higher hearing thresholds than vocalists. We observed a 20% prevalence of chronic tinnitus but none of the affected musicians had severe tinnitus symptomatology. There was no statistical association between permanent tinnitus and hearing loss in our sample. We observed an increased prevalence of hearing loss and tinnitus in our sample of Norwegian rock musicians but the causal relationship between musical exposure and hearing loss or tinnitus is ambiguous. We recommend the use of hearing protection in rock musicians.http://www.noiseandhealth.org/article.asp?issn=1463-1741;year=2015;volume=17;issue=79;spage=411;epage=421;aulast=StørmerHearing lossrock musicianstinnitus
collection DOAJ
language English
format Article
sources DOAJ
author Carl Christian Lein Størmer
Einar Laukli
Erik Harry Høydal
Niels Christian Stenklev
spellingShingle Carl Christian Lein Størmer
Einar Laukli
Erik Harry Høydal
Niels Christian Stenklev
Hearing loss and tinnitus in rock musicians: A Norwegian survey
Noise and Health
Hearing loss
rock musicians
tinnitus
author_facet Carl Christian Lein Størmer
Einar Laukli
Erik Harry Høydal
Niels Christian Stenklev
author_sort Carl Christian Lein Størmer
title Hearing loss and tinnitus in rock musicians: A Norwegian survey
title_short Hearing loss and tinnitus in rock musicians: A Norwegian survey
title_full Hearing loss and tinnitus in rock musicians: A Norwegian survey
title_fullStr Hearing loss and tinnitus in rock musicians: A Norwegian survey
title_full_unstemmed Hearing loss and tinnitus in rock musicians: A Norwegian survey
title_sort hearing loss and tinnitus in rock musicians: a norwegian survey
publisher Wolters Kluwer Medknow Publications
series Noise and Health
issn 1463-1741
1998-4030
publishDate 2015-01-01
description Our focus in this study was to assess hearing thresholds and the prevalence and characteristics of tinnitus in a large group of rock musicians based in Norway. A further objective was to assess related factors such as exposure, instrument category, and the preventive effect of hearing protection. The study was a cross-sectional survey of rock musicians selected at random from a defined cohort of musicians. A random control group was included for comparison. We recruited 111 active musicians from the Oslo region, and a control group of 40 nonmusicians from the student population at the University of TromsØ. The subjects were investigated using clinical examination, pure tone audiometry, tympanometry, and a questionnaire. We observed a hearing loss in 37.8% of the rock musicians. Significantly poorer hearing thresholds were seen at most pure-tone frequencies in musicians than controls, with the most pronounced threshold shift at 6 kHz. The use of hearing protection, in particular custom-fitted earplugs, has a preventive effect but a minority of rock musicians apply them consistently. The degree of musical performance exposure was inversely related to the degree of hearing loss in our sample. Bass and guitar players had higher hearing thresholds than vocalists. We observed a 20% prevalence of chronic tinnitus but none of the affected musicians had severe tinnitus symptomatology. There was no statistical association between permanent tinnitus and hearing loss in our sample. We observed an increased prevalence of hearing loss and tinnitus in our sample of Norwegian rock musicians but the causal relationship between musical exposure and hearing loss or tinnitus is ambiguous. We recommend the use of hearing protection in rock musicians.
topic Hearing loss
rock musicians
tinnitus
url http://www.noiseandhealth.org/article.asp?issn=1463-1741;year=2015;volume=17;issue=79;spage=411;epage=421;aulast=Størmer
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