The world of visual images of the Tuva Old Believers: from icons and popular prints to photos

The article analyzes visual images that fill the life environment of Chasovennye (‘chapel-going’) Old Believers of Tuva. The coding of information through visual streams is augmented by the religious activities of the Old Believer community and finds expression in various forms of folk art. Our syst...

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Main Authors: Ekaterina V. Bykova, Aleksandr A. Prigarin
Format: Article
Language:Russian
Published: Novye Issledovaniâ Tuvy 2019-03-01
Series:Novye Issledovaniâ Tuvy
Subjects:
Online Access:https://nit.tuva.asia/nit/article/view/803
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spelling doaj-1b8bc221e8a94528ae3c2ad2f8df72372020-11-24T21:20:50ZrusNovye Issledovaniâ Tuvy Novye Issledovaniâ Tuvy2079-84822019-03-010110.25178/nit.2019.1.6802The world of visual images of the Tuva Old Believers: from icons and popular prints to photosEkaterina V. Bykova0Aleksandr A. Prigarin1Вятский государственный университетОдесский национальный университет им. И. И. МечниковаThe article analyzes visual images that fill the life environment of Chasovennye (‘chapel-going’) Old Believers of Tuva. The coding of information through visual streams is augmented by the religious activities of the Old Believer community and finds expression in various forms of folk art. Our systemic analysis of visual culture is based on expedition research materials which had been in use at Old Believers' settlements in the upper reaches of the Yenisei (Erzhey, Uzhep, Sizim and Saryg-Sep, Kaa-Khem kozhuun (raion) of the Republic of Tuva) in 2016-2017. How sacred space is filled with religious objects is regulated by doctrinal guidelines established by Council (Sobor) ordinances. The world of sacred images is built into that of everyday culture; it opens into the profane space without losing its sacred meaning. Having refused the use of television and computers, Old Believers are active subscribers to print magazines, both for children and adults, and frequently use postcards for congratulations. Copied fragments of magazine graphics or book illustrations can often be found in works of folk art of Old Believers. Despite the prohibition to take photos of people, Old Believer houses often feature photo albums focusing on the daily life of a family from the 1960s up to this day. We can conclude that among the Old Believers of Tuva, traditional and mass culture interact and support each other, although lip service is paid to the declarative denial of the latter on confessional grounds.https://nit.tuva.asia/nit/article/view/803старообрядчествоТувавизуальная культуранародная культуранародная картинкакультура повседневностимассовая культуранародные промыслы
collection DOAJ
language Russian
format Article
sources DOAJ
author Ekaterina V. Bykova
Aleksandr A. Prigarin
spellingShingle Ekaterina V. Bykova
Aleksandr A. Prigarin
The world of visual images of the Tuva Old Believers: from icons and popular prints to photos
Novye Issledovaniâ Tuvy
старообрядчество
Тува
визуальная культура
народная культура
народная картинка
культура повседневности
массовая культура
народные промыслы
author_facet Ekaterina V. Bykova
Aleksandr A. Prigarin
author_sort Ekaterina V. Bykova
title The world of visual images of the Tuva Old Believers: from icons and popular prints to photos
title_short The world of visual images of the Tuva Old Believers: from icons and popular prints to photos
title_full The world of visual images of the Tuva Old Believers: from icons and popular prints to photos
title_fullStr The world of visual images of the Tuva Old Believers: from icons and popular prints to photos
title_full_unstemmed The world of visual images of the Tuva Old Believers: from icons and popular prints to photos
title_sort world of visual images of the tuva old believers: from icons and popular prints to photos
publisher Novye Issledovaniâ Tuvy
series Novye Issledovaniâ Tuvy
issn 2079-8482
publishDate 2019-03-01
description The article analyzes visual images that fill the life environment of Chasovennye (‘chapel-going’) Old Believers of Tuva. The coding of information through visual streams is augmented by the religious activities of the Old Believer community and finds expression in various forms of folk art. Our systemic analysis of visual culture is based on expedition research materials which had been in use at Old Believers' settlements in the upper reaches of the Yenisei (Erzhey, Uzhep, Sizim and Saryg-Sep, Kaa-Khem kozhuun (raion) of the Republic of Tuva) in 2016-2017. How sacred space is filled with religious objects is regulated by doctrinal guidelines established by Council (Sobor) ordinances. The world of sacred images is built into that of everyday culture; it opens into the profane space without losing its sacred meaning. Having refused the use of television and computers, Old Believers are active subscribers to print magazines, both for children and adults, and frequently use postcards for congratulations. Copied fragments of magazine graphics or book illustrations can often be found in works of folk art of Old Believers. Despite the prohibition to take photos of people, Old Believer houses often feature photo albums focusing on the daily life of a family from the 1960s up to this day. We can conclude that among the Old Believers of Tuva, traditional and mass culture interact and support each other, although lip service is paid to the declarative denial of the latter on confessional grounds.
topic старообрядчество
Тува
визуальная культура
народная культура
народная картинка
культура повседневности
массовая культура
народные промыслы
url https://nit.tuva.asia/nit/article/view/803
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