The investigation of semiosis of alphabetic letters in Sansyi’s Divan

The Exploration of Semiosis of Aalphabetic Letters in Sanāeī’s Divan   Morteza Heidari[1]                Received: 02/07/2014 Accepted: 22/04/2015     Abstract Sanaei versifies exquisite poems by applying pictorial and compound qualities of alphabetic letters in his Divan. A comprehensive...

Full description

Bibliographic Details
Main Author: Morteza Hiedari
Format: Article
Language:fas
Published: Alzahra University 2014-09-01
Series:ادبیات عرفانی
Subjects:
Online Access:https://jml.alzahra.ac.ir/article_1923_4be0e9e4c854d780fa7591afe23bbf2f.pdf
id doaj-1cb2e90386f34aa2ae004bc17efafd14
record_format Article
spelling doaj-1cb2e90386f34aa2ae004bc17efafd142021-07-24T07:46:28ZfasAlzahra Universityادبیات عرفانی2008-93842538-19972014-09-0161174210.22051/jml.2015.19231923The investigation of semiosis of alphabetic letters in Sansyi’s DivanMorteza Hiedari0Faculty Member of Persian Language and Literature Department Payame Noor University, Tehran, IranThe Exploration of Semiosis of Aalphabetic Letters in Sanāeī’s Divan   Morteza Heidari[1]                Received: 02/07/2014 Accepted: 22/04/2015     Abstract Sanaei versifies exquisite poems by applying pictorial and compound qualities of alphabetic letters in his Divan. A comprehensive theory that may cover the cultural background of Sanaei’s art and which is able to enfold an inclusive understanding, is an obvious need for studying these qualities. In the present article, the author deals with semiotics of Sanaei’s literal attitude and explains all of his literal poems. The Pierce semiotics theory has a very close relationship with the prevalent rhetorical criticism in Persian language, while it also encompasses a higher interpretative potentiality and helps us reach a more intricate conclusion. In this research, Pierce’s icon, index, symbol, and well known triad and their semiotic transformative process in Sanaei’s Divan are explored. The singular, lineal and involved semiotic processes are the three forms that the author differentiates. The findings show that semiosis of letters of the alphabet in Sanaei’s Divan, has a very easy attribute to its object and interpretation.   Keywords: semiotics, Charles Sanders Pierce, Sanaei, letters of alphabet. [1] Assistant Professor, Persian language and literature; Payam-e-Noor University. Mortezaheydari.58@gmail.comhttps://jml.alzahra.ac.ir/article_1923_4be0e9e4c854d780fa7591afe23bbf2f.pdfsemioticscharles sanders peircesansyiletters of alphabet
collection DOAJ
language fas
format Article
sources DOAJ
author Morteza Hiedari
spellingShingle Morteza Hiedari
The investigation of semiosis of alphabetic letters in Sansyi’s Divan
ادبیات عرفانی
semiotics
charles sanders peirce
sansyi
letters of alphabet
author_facet Morteza Hiedari
author_sort Morteza Hiedari
title The investigation of semiosis of alphabetic letters in Sansyi’s Divan
title_short The investigation of semiosis of alphabetic letters in Sansyi’s Divan
title_full The investigation of semiosis of alphabetic letters in Sansyi’s Divan
title_fullStr The investigation of semiosis of alphabetic letters in Sansyi’s Divan
title_full_unstemmed The investigation of semiosis of alphabetic letters in Sansyi’s Divan
title_sort investigation of semiosis of alphabetic letters in sansyi’s divan
publisher Alzahra University
series ادبیات عرفانی
issn 2008-9384
2538-1997
publishDate 2014-09-01
description The Exploration of Semiosis of Aalphabetic Letters in Sanāeī’s Divan   Morteza Heidari[1]                Received: 02/07/2014 Accepted: 22/04/2015     Abstract Sanaei versifies exquisite poems by applying pictorial and compound qualities of alphabetic letters in his Divan. A comprehensive theory that may cover the cultural background of Sanaei’s art and which is able to enfold an inclusive understanding, is an obvious need for studying these qualities. In the present article, the author deals with semiotics of Sanaei’s literal attitude and explains all of his literal poems. The Pierce semiotics theory has a very close relationship with the prevalent rhetorical criticism in Persian language, while it also encompasses a higher interpretative potentiality and helps us reach a more intricate conclusion. In this research, Pierce’s icon, index, symbol, and well known triad and their semiotic transformative process in Sanaei’s Divan are explored. The singular, lineal and involved semiotic processes are the three forms that the author differentiates. The findings show that semiosis of letters of the alphabet in Sanaei’s Divan, has a very easy attribute to its object and interpretation.   Keywords: semiotics, Charles Sanders Pierce, Sanaei, letters of alphabet. [1] Assistant Professor, Persian language and literature; Payam-e-Noor University. Mortezaheydari.58@gmail.com
topic semiotics
charles sanders peirce
sansyi
letters of alphabet
url https://jml.alzahra.ac.ir/article_1923_4be0e9e4c854d780fa7591afe23bbf2f.pdf
work_keys_str_mv AT mortezahiedari theinvestigationofsemiosisofalphabeticlettersinsansyisdivan
AT mortezahiedari investigationofsemiosisofalphabeticlettersinsansyisdivan
_version_ 1721284206827405312