Bellaud de la Bellaudièra et les troubadours de Jehan de Nostredame ?

Lois Bellaud de la Bellaudiera (1543-1588?) was one of the most outstanding Provencal poets of his time. Many scholars, such as Robert Lafont, claimed to see in him an important representative of language revival in the Provence region. In this context arises the question as to why Bellaud did not r...

Full description

Bibliographic Details
Main Author: Josef Prokop
Format: Article
Language:Spanish
Published: University of South Bohemia, Ceske Budejovice 2012-12-01
Series:Echo des Etudes Romanes
Subjects:
Online Access:http://www.eer.cz/files/2012-2/2012-2-3-Prokop.pdf
id doaj-1d84003df8ee423bbd73799652ab8747
record_format Article
spelling doaj-1d84003df8ee423bbd73799652ab87472020-11-25T00:13:20ZspaUniversity of South Bohemia, Ceske BudejoviceEcho des Etudes Romanes1801-08651804-83582012-12-01822735Bellaud de la Bellaudièra et les troubadours de Jehan de Nostredame ? Josef ProkopLois Bellaud de la Bellaudiera (1543-1588?) was one of the most outstanding Provencal poets of his time. Many scholars, such as Robert Lafont, claimed to see in him an important representative of language revival in the Provence region. In this context arises the question as to why Bellaud did not reflect neither use a reference to the antiquity of troubadour poetry, their literarily consecrated koiné, nor its traditional orthography, if he wanted to elevate and literarily re-establish his native language. That’s despite the fact that the famous troubadour´s past was only very recently restored by Jehan de Nostredame (1507-1577?) with his troubadour biographies Vies des célèbres et anciens Poètes provençaux (i.e. troubadours) published in 1575. All the more, Bellaud was probably in personal contact with Jehan’s nephew and continuator, César de Nostredame. The article attempts to explain this discrepancy by pointing to the change of literary canon in the 16th century. If Bellaud wanted to succeed as a poet, he had to lean towards the emerging postpetrarkistic poetics of the Pléiade and therefore totally reject any medieval literary connotations.http://www.eer.cz/files/2012-2/2012-2-3-Prokop.pdfBellaud de la BellaudièraJehan de NostredameTroubadoursPléiade
collection DOAJ
language Spanish
format Article
sources DOAJ
author Josef Prokop
spellingShingle Josef Prokop
Bellaud de la Bellaudièra et les troubadours de Jehan de Nostredame ?
Echo des Etudes Romanes
Bellaud de la Bellaudièra
Jehan de Nostredame
Troubadours
Pléiade
author_facet Josef Prokop
author_sort Josef Prokop
title Bellaud de la Bellaudièra et les troubadours de Jehan de Nostredame ?
title_short Bellaud de la Bellaudièra et les troubadours de Jehan de Nostredame ?
title_full Bellaud de la Bellaudièra et les troubadours de Jehan de Nostredame ?
title_fullStr Bellaud de la Bellaudièra et les troubadours de Jehan de Nostredame ?
title_full_unstemmed Bellaud de la Bellaudièra et les troubadours de Jehan de Nostredame ?
title_sort bellaud de la bellaudièra et les troubadours de jehan de nostredame ?
publisher University of South Bohemia, Ceske Budejovice
series Echo des Etudes Romanes
issn 1801-0865
1804-8358
publishDate 2012-12-01
description Lois Bellaud de la Bellaudiera (1543-1588?) was one of the most outstanding Provencal poets of his time. Many scholars, such as Robert Lafont, claimed to see in him an important representative of language revival in the Provence region. In this context arises the question as to why Bellaud did not reflect neither use a reference to the antiquity of troubadour poetry, their literarily consecrated koiné, nor its traditional orthography, if he wanted to elevate and literarily re-establish his native language. That’s despite the fact that the famous troubadour´s past was only very recently restored by Jehan de Nostredame (1507-1577?) with his troubadour biographies Vies des célèbres et anciens Poètes provençaux (i.e. troubadours) published in 1575. All the more, Bellaud was probably in personal contact with Jehan’s nephew and continuator, César de Nostredame. The article attempts to explain this discrepancy by pointing to the change of literary canon in the 16th century. If Bellaud wanted to succeed as a poet, he had to lean towards the emerging postpetrarkistic poetics of the Pléiade and therefore totally reject any medieval literary connotations.
topic Bellaud de la Bellaudièra
Jehan de Nostredame
Troubadours
Pléiade
url http://www.eer.cz/files/2012-2/2012-2-3-Prokop.pdf
work_keys_str_mv AT josefprokop bellauddelabellaudieraetlestroubadoursdejehandenostredame
_version_ 1725394811850063872