Literature and Propaganda: The Structure of Conversion in Schenzinger's Hitlerjunge Quex

Propaganda literature as a genre can profitably be analyzed by means of a structuralist approach, as Susan R. Suleiman has shown in her study of the French ideological novel. Extending her discussion of the "structure of confrontation" and the "structure of apprenticeship," this...

Full description

Bibliographic Details
Main Author: John Daniel Stahl
Format: Article
Language:English
Published: New Prairie Press 1988-06-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol12/iss2/2
id doaj-1dce9521a2494afb8ef7ac1239a1b75e
record_format Article
spelling doaj-1dce9521a2494afb8ef7ac1239a1b75e2020-11-24T22:39:27ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44151988-06-0112210.4148/2334-4415.12135604665Literature and Propaganda: The Structure of Conversion in Schenzinger's Hitlerjunge QuexJohn Daniel StahlPropaganda literature as a genre can profitably be analyzed by means of a structuralist approach, as Susan R. Suleiman has shown in her study of the French ideological novel. Extending her discussion of the "structure of confrontation" and the "structure of apprenticeship," this study postulates the "structure of conversion" as a fundamental form of propaganda literature. Through loss of self to a greater entity, the central character in fiction exemplifying this form finds a new identity in self-submergence. A once-popular novel by the German pro-fascist author Karl Aloys Schenzinger, Hitlerjunge Quex ( 1932), serves as a model for investigation into the structure of conversion. Religious and psychological dimensions of the central character's experience merge in a representation of conversion that is all the more powerfully ideological for disguising its political and racial assumptions. Eros and Thanatos meet in the mythic heightening of self-sacrifice, culminating in martyrdom. A consideration often ignored by structuralist critics, the use of stylistic means to reinforce implied messages, is shown to be a significant element in Hitlerjunge Quex . The value of a structuralist approach to propaganda lies in its elucidation of hidden assumptions, exposing them to critical judgment.http://newprairiepress.org/sttcl/vol12/iss2/2
collection DOAJ
language English
format Article
sources DOAJ
author John Daniel Stahl
spellingShingle John Daniel Stahl
Literature and Propaganda: The Structure of Conversion in Schenzinger's Hitlerjunge Quex
Studies in 20th & 21st Century Literature
author_facet John Daniel Stahl
author_sort John Daniel Stahl
title Literature and Propaganda: The Structure of Conversion in Schenzinger's Hitlerjunge Quex
title_short Literature and Propaganda: The Structure of Conversion in Schenzinger's Hitlerjunge Quex
title_full Literature and Propaganda: The Structure of Conversion in Schenzinger's Hitlerjunge Quex
title_fullStr Literature and Propaganda: The Structure of Conversion in Schenzinger's Hitlerjunge Quex
title_full_unstemmed Literature and Propaganda: The Structure of Conversion in Schenzinger's Hitlerjunge Quex
title_sort literature and propaganda: the structure of conversion in schenzinger's hitlerjunge quex
publisher New Prairie Press
series Studies in 20th & 21st Century Literature
issn 2334-4415
publishDate 1988-06-01
description Propaganda literature as a genre can profitably be analyzed by means of a structuralist approach, as Susan R. Suleiman has shown in her study of the French ideological novel. Extending her discussion of the "structure of confrontation" and the "structure of apprenticeship," this study postulates the "structure of conversion" as a fundamental form of propaganda literature. Through loss of self to a greater entity, the central character in fiction exemplifying this form finds a new identity in self-submergence. A once-popular novel by the German pro-fascist author Karl Aloys Schenzinger, Hitlerjunge Quex ( 1932), serves as a model for investigation into the structure of conversion. Religious and psychological dimensions of the central character's experience merge in a representation of conversion that is all the more powerfully ideological for disguising its political and racial assumptions. Eros and Thanatos meet in the mythic heightening of self-sacrifice, culminating in martyrdom. A consideration often ignored by structuralist critics, the use of stylistic means to reinforce implied messages, is shown to be a significant element in Hitlerjunge Quex . The value of a structuralist approach to propaganda lies in its elucidation of hidden assumptions, exposing them to critical judgment.
url http://newprairiepress.org/sttcl/vol12/iss2/2
work_keys_str_mv AT johndanielstahl literatureandpropagandathestructureofconversioninschenzingershitlerjungequex
_version_ 1725708917667790848