‘News from Home’ by Chantal Akerman: The autobiographical documen-tary in the context of contemporary documentary

<p>This research focuses on Chantal Akerman’s documentary ‘News from Home’ (1977), as an example of an autobio-graphical documentary made by women. The filmmaker’s story goes through the foundations of the filial maternal relationship to provoke a reflection on the relationship between women,...

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Main Authors: Mar MARCOS MOLANO, Pablo MORENO RUÍZ
Format: Article
Language:English
Published: Ediciones Universidad de Salamanca 2019-06-01
Series:Fonseca: Journal of Communication
Subjects:
Online Access:http://revistas.usal.es/index.php/2172-9077/article/view/20374
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spelling doaj-1f6ad1c715ec4cf2ab8b87c63c6193042020-11-25T01:19:16ZengEdiciones Universidad de SalamancaFonseca: Journal of Communication2172-90772019-06-0101810311510.14201/fjc20191810311517353‘News from Home’ by Chantal Akerman: The autobiographical documen-tary in the context of contemporary documentaryMar MARCOS MOLANO0Pablo MORENO RUÍZ1Universidad Complutense de MadridUniversidad Complutense de Madrid<p>This research focuses on Chantal Akerman’s documentary ‘News from Home’ (1977), as an example of an autobio-graphical documentary made by women. The filmmaker’s story goes through the foundations of the filial maternal relationship to provoke a reflection on the relationship between women, the generational pulse, the day-to-day routine or the extraordinary nature of their lives, the emotional void. Starting from the typologies of autobiograph-ical inscription (self-portrait, family cinema, amateur cinema, travel diary, filmed diary, filmed letters) the analysis of this piece will also allow us to identify many of the characteristics of contemporary autobiographical documentary, such as the renunciation of objectivity, the breaking of the boundaries between fiction and non-fiction, or the use of a particular audiovisual grammar that acts as a catalyst for the expression of two universes: Akerman’s intimate world and its symbolic representation in contemporary documentary narrative.</p><div> </div>http://revistas.usal.es/index.php/2172-9077/article/view/20374cine documentaldocumental autobiográficodocumental íntimoauto-representaciónChantal Akerman
collection DOAJ
language English
format Article
sources DOAJ
author Mar MARCOS MOLANO
Pablo MORENO RUÍZ
spellingShingle Mar MARCOS MOLANO
Pablo MORENO RUÍZ
‘News from Home’ by Chantal Akerman: The autobiographical documen-tary in the context of contemporary documentary
Fonseca: Journal of Communication
cine documental
documental autobiográfico
documental íntimo
auto-representación
Chantal Akerman
author_facet Mar MARCOS MOLANO
Pablo MORENO RUÍZ
author_sort Mar MARCOS MOLANO
title ‘News from Home’ by Chantal Akerman: The autobiographical documen-tary in the context of contemporary documentary
title_short ‘News from Home’ by Chantal Akerman: The autobiographical documen-tary in the context of contemporary documentary
title_full ‘News from Home’ by Chantal Akerman: The autobiographical documen-tary in the context of contemporary documentary
title_fullStr ‘News from Home’ by Chantal Akerman: The autobiographical documen-tary in the context of contemporary documentary
title_full_unstemmed ‘News from Home’ by Chantal Akerman: The autobiographical documen-tary in the context of contemporary documentary
title_sort ‘news from home’ by chantal akerman: the autobiographical documen-tary in the context of contemporary documentary
publisher Ediciones Universidad de Salamanca
series Fonseca: Journal of Communication
issn 2172-9077
publishDate 2019-06-01
description <p>This research focuses on Chantal Akerman’s documentary ‘News from Home’ (1977), as an example of an autobio-graphical documentary made by women. The filmmaker’s story goes through the foundations of the filial maternal relationship to provoke a reflection on the relationship between women, the generational pulse, the day-to-day routine or the extraordinary nature of their lives, the emotional void. Starting from the typologies of autobiograph-ical inscription (self-portrait, family cinema, amateur cinema, travel diary, filmed diary, filmed letters) the analysis of this piece will also allow us to identify many of the characteristics of contemporary autobiographical documentary, such as the renunciation of objectivity, the breaking of the boundaries between fiction and non-fiction, or the use of a particular audiovisual grammar that acts as a catalyst for the expression of two universes: Akerman’s intimate world and its symbolic representation in contemporary documentary narrative.</p><div> </div>
topic cine documental
documental autobiográfico
documental íntimo
auto-representación
Chantal Akerman
url http://revistas.usal.es/index.php/2172-9077/article/view/20374
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