Raising subjects: The representation of children and childhood in Meiji Japan

Two mutually dependent ideologies emerged during the first few decades of the Meiji period (1868-1912): universal education and nation. Both ideologies sought to redefine existing perceptions of childhood as a period of life subordinate to status, to a unifying experience for all subjects of the nat...

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Main Author: Rhiannon Paget
Format: Article
Language:English
Published: The Japan Foundation, Sydney 2011-01-01
Series:New Voices
Subjects:
Online Access:http://newvoices.org.au/volume-4/raising-subjects-the-representation-of-children-and-childhood-in-meiji-japan/
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spelling doaj-2061c4879d994670a5786f79dc6acb152020-11-24T22:16:30ZengThe Japan Foundation, SydneyNew Voices1833-52332204-194X2011-01-01413110.21159/nv.04.01Raising subjects: The representation of children and childhood in Meiji JapanRhiannon Paget0University of SydneyTwo mutually dependent ideologies emerged during the first few decades of the Meiji period (1868-1912): universal education and nation. Both ideologies sought to redefine existing perceptions of childhood as a period of life subordinate to status, to a unifying experience for all subjects of the nation state. This paper examines coloured woodblock prints (nishikie) of ethical themes produced by the studio of Utagawa Kuniteru and the newly formed Ministry of Education, and Inoue Yasuji between 1873 and 1887, and the new notions of children and childhood the prints espoused. The means by which these images were distributed, their subjects, and the visual and design devices that they employed contrived to identify children with education and a new repertoire of civic duties, which bound them to the state and subjected them to new kinds of disciplinary power.http://newvoices.org.au/volume-4/raising-subjects-the-representation-of-children-and-childhood-in-meiji-japan/nishikie; Meiji Era; childhood / children; education; representation; Monbushō; history
collection DOAJ
language English
format Article
sources DOAJ
author Rhiannon Paget
spellingShingle Rhiannon Paget
Raising subjects: The representation of children and childhood in Meiji Japan
New Voices
nishikie; Meiji Era; childhood / children; education; representation; Monbushō; history
author_facet Rhiannon Paget
author_sort Rhiannon Paget
title Raising subjects: The representation of children and childhood in Meiji Japan
title_short Raising subjects: The representation of children and childhood in Meiji Japan
title_full Raising subjects: The representation of children and childhood in Meiji Japan
title_fullStr Raising subjects: The representation of children and childhood in Meiji Japan
title_full_unstemmed Raising subjects: The representation of children and childhood in Meiji Japan
title_sort raising subjects: the representation of children and childhood in meiji japan
publisher The Japan Foundation, Sydney
series New Voices
issn 1833-5233
2204-194X
publishDate 2011-01-01
description Two mutually dependent ideologies emerged during the first few decades of the Meiji period (1868-1912): universal education and nation. Both ideologies sought to redefine existing perceptions of childhood as a period of life subordinate to status, to a unifying experience for all subjects of the nation state. This paper examines coloured woodblock prints (nishikie) of ethical themes produced by the studio of Utagawa Kuniteru and the newly formed Ministry of Education, and Inoue Yasuji between 1873 and 1887, and the new notions of children and childhood the prints espoused. The means by which these images were distributed, their subjects, and the visual and design devices that they employed contrived to identify children with education and a new repertoire of civic duties, which bound them to the state and subjected them to new kinds of disciplinary power.
topic nishikie; Meiji Era; childhood / children; education; representation; Monbushō; history
url http://newvoices.org.au/volume-4/raising-subjects-the-representation-of-children-and-childhood-in-meiji-japan/
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