Response to David Temperley's Commentary
The author responds to points raised in David Temperley’s commentary, which appeared in Vol. 1, No. 2 of Empirical Musicology Review. The response includes a discussion of strengths and limitations of atemporal models of musical perception, with particular attention to presentations such as those of...
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| Format: | Article |
| Language: | English |
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The Ohio State University Libraries
2006-09-01
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| Series: | Empirical Musicology Review |
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| Online Access: | https://kb.osu.edu/dspace/handle/1811/24066 |
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doaj-208581b0217e4e0e8650d96a0813ad092020-11-25T00:41:19ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492006-09-011318218410.18061/1811/24066Response to David Temperley's CommentaryWilliam ThomsonThe author responds to points raised in David Temperley’s commentary, which appeared in Vol. 1, No. 2 of Empirical Musicology Review. The response includes a discussion of strengths and limitations of atemporal models of musical perception, with particular attention to presentations such as those of Carol Krumhansl and Fred Lerdahl.https://kb.osu.edu/dspace/handle/1811/24066perceptionmelodymelodicharmonytonalityformstructure |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
William Thomson |
| spellingShingle |
William Thomson Response to David Temperley's Commentary Empirical Musicology Review perception melody melodic harmony tonality form structure |
| author_facet |
William Thomson |
| author_sort |
William Thomson |
| title |
Response to David Temperley's Commentary |
| title_short |
Response to David Temperley's Commentary |
| title_full |
Response to David Temperley's Commentary |
| title_fullStr |
Response to David Temperley's Commentary |
| title_full_unstemmed |
Response to David Temperley's Commentary |
| title_sort |
response to david temperley's commentary |
| publisher |
The Ohio State University Libraries |
| series |
Empirical Musicology Review |
| issn |
1559-5749 |
| publishDate |
2006-09-01 |
| description |
The author responds to points raised in David Temperley’s commentary, which appeared in Vol. 1, No. 2 of Empirical Musicology Review. The response includes a discussion of strengths and limitations of atemporal models of musical perception, with particular attention to presentations such as those of Carol Krumhansl and Fred Lerdahl. |
| topic |
perception melody melodic harmony tonality form structure |
| url |
https://kb.osu.edu/dspace/handle/1811/24066 |
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AT williamthomson responsetodavidtemperleyscommentary |
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