Impersonal Presences: tones of human in the landscape-scene

Impersonal Presences: tones of human in the landscape-scene

Considered as an acting feature, presence is generally approached from the actor’s perspective. Disrupting this conception, this work intends to grasp presence as a relational, not a personal quality. For this purpose, two performances will be analyzed: Heiner Goebbels’s Stifters Dinge and Claude Ré...

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Bibliographic Details
Main Author: Maria Clara Ferrer
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2017-12-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Presence
Landscape-Scene
Non-Anthropocentric Aesthetics
Goebbels
Régy
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spelling doaj-22119fb183a94758841ba1df0e7510cb2020-11-25T01:49:16ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602017-12-017362664810.1590/2237-266069866Impersonal Presences: tones of human in the landscape-sceneMaria Clara Ferrer0Universidade Federal de São João del-Rei ‒ UFSJ, São João del-Rei/MG, BrazilConsidered as an acting feature, presence is generally approached from the actor’s perspective. Disrupting this conception, this work intends to grasp presence as a relational, not a personal quality. For this purpose, two performances will be analyzed: Heiner Goebbels’s Stifters Dinge and Claude Régy’s Variations on death. Created as landscapes, both performances develop a non-anthropocentric aesthetics of the scene and allow envision presence as a perception phenomenon and from the point of view of the audience activity.PresenceLandscape-SceneNon-Anthropocentric AestheticsGoebbelsRégy
collection DOAJ
language English
format Article
sources DOAJ
author Maria Clara Ferrer
spellingShingle Maria Clara Ferrer
Impersonal Presences: tones of human in the landscape-scene
Revista Brasileira de Estudos da Presença
Presence
Landscape-Scene
Non-Anthropocentric Aesthetics
Goebbels
Régy
author_facet Maria Clara Ferrer
author_sort Maria Clara Ferrer
title Impersonal Presences: tones of human in the landscape-scene
title_short Impersonal Presences: tones of human in the landscape-scene
title_full Impersonal Presences: tones of human in the landscape-scene
title_fullStr Impersonal Presences: tones of human in the landscape-scene
title_full_unstemmed Impersonal Presences: tones of human in the landscape-scene
title_sort impersonal presences: tones of human in the landscape-scene
publisher Universidade Federal do Rio Grande do Sul
series Revista Brasileira de Estudos da Presença
issn 2237-2660
publishDate 2017-12-01
description Considered as an acting feature, presence is generally approached from the actor’s perspective. Disrupting this conception, this work intends to grasp presence as a relational, not a personal quality. For this purpose, two performances will be analyzed: Heiner Goebbels’s Stifters Dinge and Claude Régy’s Variations on death. Created as landscapes, both performances develop a non-anthropocentric aesthetics of the scene and allow envision presence as a perception phenomenon and from the point of view of the audience activity.
topic Presence
Landscape-Scene
Non-Anthropocentric Aesthetics
Goebbels
Régy
work_keys_str_mv AT mariaclaraferrer impersonalpresencestonesofhumaninthelandscapescene
_version_ 1725007586044936192

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