Playing the Female Fool: Metamorphoses of the Fool from Fireworks to The Bloody Chamber
This article looks at the representation of the fool in the first two short story collections by Angela Carter, namely Fireworks (1974) and The Bloody Chamber (1979). Its central argument is that the quintessentially subversive presence of the fool is theorized and developed in Carter’s earlier sho...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Università degli Studi di Milano
2020-11-01
|
| Series: | Altre Modernità |
| Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/14519 |