Contemporary Art Biennials: Prospects and Problems
The number of contemporary art biennials worldwide - recurring, independent, large-scale and high-budget international exhibitions - have surged since the early 1990s rendering these events key places in production, legitimization and consumption of works created by artists from all over the worl...
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doaj-2491160f87794fdf8b8f4560eb4969bd2021-04-21T10:52:23ZengDanubius University Journal of Danubian Studies and Research2284-52242020-10-01101596602Contemporary Art Biennials: Prospects and ProblemsEda Aylin Genç0Ruhet Genç1Kultur UniversityTurkish German UniversityThe number of contemporary art biennials worldwide - recurring, independent, large-scale and high-budget international exhibitions - have surged since the early 1990s rendering these events key places in production, legitimization and consumption of works created by artists from all over the world. In addition, mediating between culture and changing social and political issues is included in the discourse of art biennials. Globalization has both increased the engagement of non-Western peripheries in the culture industry and homogenized the artwork presented in the art biennials. This article proposes an analysis of biennials through a review of existing literature in the context of contemporary art biennials. Legitimization and promotion of artworks through marketing and branding strategies are presented along with the cultural dominance prevailing in these periodic events.https://dj.univ-danubius.ro/index.php/JDSR/article/view/767/977contemporary artart biennialbiennial exhibitionglobalizationart world |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Eda Aylin Genç Ruhet Genç |
spellingShingle |
Eda Aylin Genç Ruhet Genç Contemporary Art Biennials: Prospects and Problems Journal of Danubian Studies and Research contemporary art art biennial biennial exhibition globalization art world |
author_facet |
Eda Aylin Genç Ruhet Genç |
author_sort |
Eda Aylin Genç |
title |
Contemporary Art Biennials: Prospects and Problems |
title_short |
Contemporary Art Biennials: Prospects and Problems |
title_full |
Contemporary Art Biennials: Prospects and Problems |
title_fullStr |
Contemporary Art Biennials: Prospects and Problems |
title_full_unstemmed |
Contemporary Art Biennials: Prospects and Problems |
title_sort |
contemporary art biennials: prospects and problems |
publisher |
Danubius University |
series |
Journal of Danubian Studies and Research |
issn |
2284-5224 |
publishDate |
2020-10-01 |
description |
The number of contemporary art biennials worldwide - recurring, independent, large-scale
and high-budget international exhibitions - have surged since the early 1990s rendering these events
key places in production, legitimization and consumption of works created by artists from all over the
world. In addition, mediating between culture and changing social and political issues is included in the
discourse of art biennials. Globalization has both increased the engagement of non-Western peripheries
in the culture industry and homogenized the artwork presented in the art biennials. This article proposes
an analysis of biennials through a review of existing literature in the context of contemporary art
biennials. Legitimization and promotion of artworks through marketing and branding strategies are
presented along with the cultural dominance prevailing in these periodic events. |
topic |
contemporary art art biennial biennial exhibition globalization art world |
url |
https://dj.univ-danubius.ro/index.php/JDSR/article/view/767/977 |
work_keys_str_mv |
AT edaaylingenc contemporaryartbiennialsprospectsandproblems AT ruhetgenc contemporaryartbiennialsprospectsandproblems |
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1721516404710047744 |