Yaneura – The Attic
While at Shizuoka University as an undergraduate exchange student, I began my involvement in theatre by learning Noh (Kanze school) from Professor Ueda-Munakata, a specialist in adapting and producing Shakespeare’s plays in Noh style. After touring to Australia with him, I remained to write plays, p...
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The Japan Foundation, Sydney
2006-12-01
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Online Access: | http://newvoices.org.au/volume-1/yaneura-the-attic/ |
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doaj-2836cfb11e554bd4aacf68570c0faeed2020-11-24T21:04:12ZengThe Japan Foundation, SydneyNew Voices1833-52332204-194X2006-12-011566110.21159/nv.01.06Yaneura – The AtticAdam Broinowski0University of MelbourneWhile at Shizuoka University as an undergraduate exchange student, I began my involvement in theatre by learning Noh (Kanze school) from Professor Ueda-Munakata, a specialist in adapting and producing Shakespeare’s plays in Noh style. After touring to Australia with him, I remained to write plays, perform with many theatre companies both in Australia and internationally (in styles ranging from acrobatics, dance, clown, physical theatre, realism and multi-media performance), direct productions, create installations and make a documentary on Japanese sub-cultures. In 2001, upon receipt of a Japan Foundation artist’s fellowship, I returned to Japan to research avantgarde theatre. I was invited to become a core member of Gekidan Kaitaisha, and I stayed in the country for the next five years.http://newvoices.org.au/volume-1/yaneura-the-attic/play; performance; contemporary; theatre |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Adam Broinowski |
spellingShingle |
Adam Broinowski Yaneura – The Attic New Voices play; performance; contemporary; theatre |
author_facet |
Adam Broinowski |
author_sort |
Adam Broinowski |
title |
Yaneura – The Attic |
title_short |
Yaneura – The Attic |
title_full |
Yaneura – The Attic |
title_fullStr |
Yaneura – The Attic |
title_full_unstemmed |
Yaneura – The Attic |
title_sort |
yaneura – the attic |
publisher |
The Japan Foundation, Sydney |
series |
New Voices |
issn |
1833-5233 2204-194X |
publishDate |
2006-12-01 |
description |
While at Shizuoka University as an undergraduate exchange student, I began my involvement in theatre by learning Noh (Kanze school) from Professor Ueda-Munakata, a specialist in adapting and producing Shakespeare’s plays in Noh style. After touring to Australia with him, I remained to write plays, perform with many theatre companies both in Australia and internationally (in styles ranging from acrobatics, dance, clown, physical theatre, realism and multi-media performance), direct productions, create installations and make a documentary on Japanese sub-cultures. In 2001, upon receipt of a Japan Foundation artist’s fellowship, I returned to Japan to research avantgarde theatre. I was invited to become a core member of Gekidan Kaitaisha, and I stayed in the country for the next five years. |
topic |
play; performance; contemporary; theatre |
url |
http://newvoices.org.au/volume-1/yaneura-the-attic/ |
work_keys_str_mv |
AT adambroinowski yaneuratheattic |
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1716771580357378048 |