The Monsters of Geoffrey Chaucer: The Miller in The General Prologue and the Miller in The Reeve’s Tale in The Canterbury Tales

The medieval universe was captivated by composite monsters like manticores and centaurs which adorned the margins of manuscripts and tales of medieval man. Medieval monsters were at the same time the Others of the society. Medieval Others are largely treated under the monster studies which begin wit...

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Main Author: Nazan Yıldız
Format: Article
Language:Turkish
Published: Selçuk University 2019-06-01
Series:Selçuk Üniversitesi Edebiyat Fakültesi Dergisi
Subjects:
Online Access:http://sefad.selcuk.edu.tr/sefad/article/view/965/765
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spelling doaj-294d57972a604f8d9b9c9fa5dbf765d52020-11-24T21:29:07ZturSelçuk UniversitySelçuk Üniversitesi Edebiyat Fakültesi Dergisi2458-908X2458-908X2019-06-014112714210.21497/sefad.586610The Monsters of Geoffrey Chaucer: The Miller in The General Prologue and the Miller in The Reeve’s Tale in The Canterbury TalesNazan Yıldız The medieval universe was captivated by composite monsters like manticores and centaurs which adorned the margins of manuscripts and tales of medieval man. Medieval monsters were at the same time the Others of the society. Medieval Others are largely treated under the monster studies which begin with the dichotomy of “Us” (human beings) and “Them” (monsters). The Others of the Middle Ages were not limited to beasts, but embraced Saracens and Jews as the monstrous Others alongside heretics, pagans, homosexuals, lepers and witches. With their atypical social positions, millers were among those monstrous Others or “Them” of the Middle Ages as they could not be fitted into any of the three estates; namely the clergy, the nobility and the commoners. They were the unwanted upstarts and leading rebels of the Peasants’ Revolt of 1381. In accordance with their monstrous presence, the chronicles depicted the millers of the revolt with animal-like qualities. Similar to their historical counterparts, the most notable feature of Chaucer’s Miller in The Canterbury Tales is his animal-like appearance with a hairy face and a gigantic mouth. Aggressive and disruptive, rather than a human, the Miller looks like a wild animal bringing down doors-literally social boundaries- with his head. Parallel to the Miller in The General Prologue, the miller in The Reeve’s Tale possesses an animal-like appearance and a disobedient nature that grows into a threat to the social order. In this respect, this paper discusses Chaucer’s Miller in The General Prologue and his miller in The Reeve’s Tale as medieval monsters who are man-animal composites and defiant Others.http://sefad.selcuk.edu.tr/sefad/article/view/965/765The Canterbury TalesChaucer’s Millermonsterothernessthe Reeve’s Tale
collection DOAJ
language Turkish
format Article
sources DOAJ
author Nazan Yıldız
spellingShingle Nazan Yıldız
The Monsters of Geoffrey Chaucer: The Miller in The General Prologue and the Miller in The Reeve’s Tale in The Canterbury Tales
Selçuk Üniversitesi Edebiyat Fakültesi Dergisi
The Canterbury Tales
Chaucer’s Miller
monster
otherness
the Reeve’s Tale
author_facet Nazan Yıldız
author_sort Nazan Yıldız
title The Monsters of Geoffrey Chaucer: The Miller in The General Prologue and the Miller in The Reeve’s Tale in The Canterbury Tales
title_short The Monsters of Geoffrey Chaucer: The Miller in The General Prologue and the Miller in The Reeve’s Tale in The Canterbury Tales
title_full The Monsters of Geoffrey Chaucer: The Miller in The General Prologue and the Miller in The Reeve’s Tale in The Canterbury Tales
title_fullStr The Monsters of Geoffrey Chaucer: The Miller in The General Prologue and the Miller in The Reeve’s Tale in The Canterbury Tales
title_full_unstemmed The Monsters of Geoffrey Chaucer: The Miller in The General Prologue and the Miller in The Reeve’s Tale in The Canterbury Tales
title_sort monsters of geoffrey chaucer: the miller in the general prologue and the miller in the reeve’s tale in the canterbury tales
publisher Selçuk University
series Selçuk Üniversitesi Edebiyat Fakültesi Dergisi
issn 2458-908X
2458-908X
publishDate 2019-06-01
description The medieval universe was captivated by composite monsters like manticores and centaurs which adorned the margins of manuscripts and tales of medieval man. Medieval monsters were at the same time the Others of the society. Medieval Others are largely treated under the monster studies which begin with the dichotomy of “Us” (human beings) and “Them” (monsters). The Others of the Middle Ages were not limited to beasts, but embraced Saracens and Jews as the monstrous Others alongside heretics, pagans, homosexuals, lepers and witches. With their atypical social positions, millers were among those monstrous Others or “Them” of the Middle Ages as they could not be fitted into any of the three estates; namely the clergy, the nobility and the commoners. They were the unwanted upstarts and leading rebels of the Peasants’ Revolt of 1381. In accordance with their monstrous presence, the chronicles depicted the millers of the revolt with animal-like qualities. Similar to their historical counterparts, the most notable feature of Chaucer’s Miller in The Canterbury Tales is his animal-like appearance with a hairy face and a gigantic mouth. Aggressive and disruptive, rather than a human, the Miller looks like a wild animal bringing down doors-literally social boundaries- with his head. Parallel to the Miller in The General Prologue, the miller in The Reeve’s Tale possesses an animal-like appearance and a disobedient nature that grows into a threat to the social order. In this respect, this paper discusses Chaucer’s Miller in The General Prologue and his miller in The Reeve’s Tale as medieval monsters who are man-animal composites and defiant Others.
topic The Canterbury Tales
Chaucer’s Miller
monster
otherness
the Reeve’s Tale
url http://sefad.selcuk.edu.tr/sefad/article/view/965/765
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