Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous
Linguistic taboos exist in most cultures. Tabooed words are generally being culturespecific and relating to bodily functions or aspects of a culture that are sacred. Such words are avoided, considered inappropriate and loaded with affective meaning and failing to adhere to. Strict rules, often, gov...
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College of Education for Women
2019-01-01
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doaj-29922a4468e04413b4ee098e5dc0b6582020-11-25T02:30:13ZaraCollege of Education for Womenمجلة كلية التربية للبنات1680-87382663-547X2019-01-01271Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculousرفيدة كمال عبد المجيد Linguistic taboos exist in most cultures. Tabooed words are generally being culturespecific and relating to bodily functions or aspects of a culture that are sacred. Such words are avoided, considered inappropriate and loaded with affective meaning and failing to adhere to. Strict rules, often, governing their use and lead to punishment or public shame. These taboo words can be used as a way of violating social deixis represented by four types of honorifics; addressee, referent, bystander, and finally setting honorifics. This paper shows how these taboo words are used in Kenneth Bernard's play La Justice or The Cock that Crew from the theatre of the Ridiculous as means of violating social deixis in its four types. The result shows a higher frequency of violating addressee honorifics as the actors use too many taboo words in interacting with each other. Bernard, the play writer, aims at showing the truth about the world we live in, a world of arbitrary ruthless powers, of butchers and helpless victims. Key words: taboo, social deixis, honorifics, Kenneth Bernard, theatre of ridiculous http://jcoeduw.uobaghdad.edu.iq/index.php/journal/article/view/164 |
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language |
Arabic |
format |
Article |
sources |
DOAJ |
author |
رفيدة كمال عبد المجيد |
spellingShingle |
رفيدة كمال عبد المجيد Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous مجلة كلية التربية للبنات |
author_facet |
رفيدة كمال عبد المجيد |
author_sort |
رفيدة كمال عبد المجيد |
title |
Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous |
title_short |
Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous |
title_full |
Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous |
title_fullStr |
Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous |
title_full_unstemmed |
Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous |
title_sort |
taboo words vs. social deixis: a sociolinguistic analysis of la justice or the cock that crew: a play from the theatre of ridiculous |
publisher |
College of Education for Women |
series |
مجلة كلية التربية للبنات |
issn |
1680-8738 2663-547X |
publishDate |
2019-01-01 |
description |
Linguistic taboos exist in most cultures. Tabooed words are generally being culturespecific
and relating to bodily functions or aspects of a culture that are sacred. Such words are
avoided, considered inappropriate and loaded with affective meaning and failing to adhere to.
Strict rules, often, governing their use and lead to punishment or public shame. These taboo
words can be used as a way of violating social deixis represented by four types of honorifics;
addressee, referent, bystander, and finally setting honorifics. This paper shows how these
taboo words are used in Kenneth Bernard's play La Justice or The Cock that Crew from the
theatre of the Ridiculous as means of violating social deixis in its four types. The result shows
a higher frequency of violating addressee honorifics as the actors use too many taboo words
in interacting with each other. Bernard, the play writer, aims at showing the truth about the
world we live in, a world of arbitrary ruthless powers, of butchers and helpless victims.
Key words: taboo, social deixis, honorifics, Kenneth Bernard, theatre of ridiculous
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url |
http://jcoeduw.uobaghdad.edu.iq/index.php/journal/article/view/164 |
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