Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous

Linguistic taboos exist in most cultures. Tabooed words are generally being culturespecific and relating to bodily functions or aspects of a culture that are sacred. Such words are avoided, considered inappropriate and loaded with affective meaning and failing to adhere to. Strict rules, often, gov...

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Main Author: رفيدة كمال عبد المجيد
Format: Article
Language:Arabic
Published: College of Education for Women 2019-01-01
Series:مجلة كلية التربية للبنات
Online Access:http://jcoeduw.uobaghdad.edu.iq/index.php/journal/article/view/164
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spelling doaj-29922a4468e04413b4ee098e5dc0b6582020-11-25T02:30:13ZaraCollege of Education for Womenمجلة كلية التربية للبنات1680-87382663-547X2019-01-01271Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculousرفيدة كمال عبد المجيد Linguistic taboos exist in most cultures. Tabooed words are generally being culturespecific and relating to bodily functions or aspects of a culture that are sacred. Such words are avoided, considered inappropriate and loaded with affective meaning and failing to adhere to. Strict rules, often, governing their use and lead to punishment or public shame. These taboo words can be used as a way of violating social deixis represented by four types of honorifics; addressee, referent, bystander, and finally setting honorifics. This paper shows how these taboo words are used in Kenneth Bernard's play La Justice or The Cock that Crew from the theatre of the Ridiculous as means of violating social deixis in its four types. The result shows a higher frequency of violating addressee honorifics as the actors use too many taboo words in interacting with each other. Bernard, the play writer, aims at showing the truth about the world we live in, a world of arbitrary ruthless powers, of butchers and helpless victims. Key words: taboo, social deixis, honorifics, Kenneth Bernard, theatre of ridiculous http://jcoeduw.uobaghdad.edu.iq/index.php/journal/article/view/164
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language Arabic
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author رفيدة كمال عبد المجيد
spellingShingle رفيدة كمال عبد المجيد
Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous
مجلة كلية التربية للبنات
author_facet رفيدة كمال عبد المجيد
author_sort رفيدة كمال عبد المجيد
title Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous
title_short Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous
title_full Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous
title_fullStr Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous
title_full_unstemmed Taboo Words Vs. Social Deixis: A sociolinguistic Analysis of La Justice or The Cock that Crew: A Play from the Theatre of Ridiculous
title_sort taboo words vs. social deixis: a sociolinguistic analysis of la justice or the cock that crew: a play from the theatre of ridiculous
publisher College of Education for Women
series مجلة كلية التربية للبنات
issn 1680-8738
2663-547X
publishDate 2019-01-01
description Linguistic taboos exist in most cultures. Tabooed words are generally being culturespecific and relating to bodily functions or aspects of a culture that are sacred. Such words are avoided, considered inappropriate and loaded with affective meaning and failing to adhere to. Strict rules, often, governing their use and lead to punishment or public shame. These taboo words can be used as a way of violating social deixis represented by four types of honorifics; addressee, referent, bystander, and finally setting honorifics. This paper shows how these taboo words are used in Kenneth Bernard's play La Justice or The Cock that Crew from the theatre of the Ridiculous as means of violating social deixis in its four types. The result shows a higher frequency of violating addressee honorifics as the actors use too many taboo words in interacting with each other. Bernard, the play writer, aims at showing the truth about the world we live in, a world of arbitrary ruthless powers, of butchers and helpless victims. Key words: taboo, social deixis, honorifics, Kenneth Bernard, theatre of ridiculous
url http://jcoeduw.uobaghdad.edu.iq/index.php/journal/article/view/164
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